Cinderella, and Other StoriesDavis, Richard Harding
General
Cinderella, and Other Stories
Davis, Richard Harding
United States -- Social life and customs -- 19th century -- Fiction
The amateur detectives stood in the lower hall in the tall building,
between swinging doors, and jostled by hurrying hundreds, while they
read the names on a marble directory.
"There he is!" said the editor, excitedly. "'American Literary Bureau.'
One room on the fourteenth floor. That's just the sort of a place in
which we would be likely to find him." But the reporter was gazing
open-eyed at a name in large letters on an office door. "Edward K.
Aram," it read, "Commissioner of ----, and City ----."
"What do you think of _that_?" he gasped, triumphantly.
"Nonsense," said the editor. "He wouldn't dare; besides, the initials
are different. You're expecting too good a story."
"That's the way to get them," answered the reporter, as he hurried
towards the office of the City ----. "If a man falls dead, believe it's
a suicide until you prove it's not; if you find a suicide, believe it's
a murder until you are convinced to the contrary. Otherwise you'll get
beaten. We don't want the proprietor of a little literary bureau, we
want a big city official and I'll believe we have one until he proves we
haven't."
"Which are you going to ask for?" whispered the editor, "Edward K. or
Edwin?"
"Edwin, I should say," answered the reporter. "He has probably given
notice that mail addressed that way should go to him."
"Is Mr. Edwin Aram in?" he asked.
A clerk raised his head and looked behind him. "No," he said; "his desk
is closed. I guess he's gone home for the day."
The reporter nudged the editor savagely with his elbow, but his face
gave no sign. "That's a pity," he said; "we have an appointment with
him. He still lives at Sixty-first Street and Madison Avenue, I believe,
does he not?"
"No," said the clerk; "that's his father, the Commissioner, Edward K.
The son lives at ----. Take the Sixth Avenue elevated and get off at
116th Street."
"Thank you," said the reporter. He turned a triumphant smile upon the
editor. "We've got him!" he said, excitedly. "And the son of old Edward
K., too! Think of it! Trying to steal a few dollars by cribbing other
men's poems; that's the best story there has been in the papers for the
past three months,--'Edward K. Aram's son a thief!' Look at the
names--politicians, poets, editors, all mixed up in it. It's good for
three columns, sure."
"We've got to think of his people, too," urged the editor, as they
mounted the steps of the elevated road.
"He didn't think of them," said the reporter.
The house in which Mr. Aram lived was an apartment-house, and the brass
latchets in the hallway showed that it contained three suites. There
were visiting-cards under the latchets of the first and third stories,
and under that of the second a piece of note-paper on which was written
the autograph of Edwin Aram. The editor looked at it curiously. He had
never believed it to be a real name.
"I am sorry Edwin Aram did not turn out to be a woman," he said,
regretfully; "it would have been so much more interesting."
Public-domain text, read in full here on John Shaqi.
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