Cinderella, and Other StoriesDavis, Richard Harding
General
Cinderella, and Other Stories
Davis, Richard Harding
United States -- Social life and customs -- 19th century -- Fiction
Guido lay quite still until the fat engineer had climbed up the
companion-way again and permitted the sunlight to once more enter the
cabin. Then he crawled out of his berth and dropped on his knees, and
raised up his hands to the plaster figure which no one would buy.
THE REPORTER WHO MADE HIMSELF KING
The Old Time Journalist will tell you that the best reporter is the one
who works his way up. He holds that the only way to start is as a
printer's devil or as an office boy, to learn in time to set type, to
graduate from a compositor into a stenographer, and as a stenographer
take down speeches at public meetings, and so finally grow into a real
reporter, with a fire badge on your left suspender, and a speaking
acquaintance with all the greatest men in the city, not even excepting
Police Captains.
That is the old time journalist's idea of it. That is the way he was
trained, and that is why at the age of sixty he is still a reporter. If
you train up a youth in this way, he will go into reporting with too
full a knowledge of the newspaper business, with no illusions concerning
it, and with no ignorant enthusiasms, but with a keen and justifiable
impression that he is not paid enough for what he does. And he will
only do what he is paid to do.
Now, you cannot pay a good reporter for what he does, because he does
not work for pay. He works for his paper. He gives his time, his health,
his brains, his sleeping hours, and his eating hours, and sometimes his
life to get news for it. He thinks the sun rises only that men may have
light by which to read it. But if he has been in a newspaper office from
his youth up, he finds out before he becomes a reporter that this is not
so, and loses his real value. He should come right out of the University
where he has been doing "campus notes" for the college weekly, and be
pitchforked out into city work without knowing whether the Battery is at
Harlem or Hunter's Point, and with the idea that he is a Moulder of
Public Opinion and that the Power of the Press is greater than the Power
of Money, and that the few lines he writes are of more value in the
Editor's eyes than is the column of advertising on the last page, which
they are not. After three years--it is sometimes longer, sometimes not
so long--he finds out that he has given his nerves and his youth and his
enthusiasm in exchange for a general fund of miscellaneous knowledge,
the opportunity of personal encounter with all the greatest and most
remarkable men and events that have risen in those three years, and a
great fund of resource and patience. He will find that he has crowded
the experiences of the lifetime of the ordinary young business man,
doctor, or lawyer, or man about town, into three short years; that he
has learned to think and to act quickly, to be patient and unmoved when
every one else has lost his head, actually or figuratively speaking; to
write as fast as another man can talk, and to be able to talk with
Public-domain text, read in full here on John Shaqi.
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