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Transcriber’s Note:
This version of the text cannot represent certain typographical effects.
Italics are delimited with the ‘_’ character as _italic_.
The few minor errors, attributable to the printer, have been corrected.
Please see the transcriber’s note at the end of this text for details
regarding the handling of any textual issues encountered during its
preparation.
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CIRCUS LIFE AND
CIRCUS CELEBRITIES
BY
THOMAS FROST
AUTHOR OF ‘THE OLD SHOWMEN AND THE OLD LONDON FAIRS,’ ‘LIVES
OF THE CONJURERS,’ ETC.
[Illustration]
_A NEW EDITION_
=London=
CHATTO AND WINDUS, PICCADILLY
1881
PREFACE.
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There are probably few persons who do not number among the most pleasant
recollections of their youth their first visit to a circus, whether
their earliest sniff of the saw-dust was inhaled in the building made
classical by Ducrow, or under the canvas canopy of Samwell or Clarke. In
my boyish days, the cry of ‘This way for the riders!’ bawled from the
stentorian vocal organs of the proprietor or ring-master of a travelling
circus, never failed to attract all the boys, and no small proportion of
the men and women, to the part of the fair from which it proceeded.
Fairs have become things of the past within twelve or fifteen miles of
the metropolis; but ever and anon a tenting circus pitches, for a day or
two, in a meadow, and the performances prove as attractive as ever. The
boys, who protest that they are better than a play,—the young women, who
are delighted with the ‘loves of horses,’—the old gentlemen, who are
never so pleased as when they are amusing their grandchildren,—the
admirers of graceful horsemanship of all ages,—crowd the benches, and
find the old tricks and the old ‘wheezes,’ as the poet found the view
from Grongar Hill, ‘ever charming—ever new.’
Public-domain text, read in full here on John Shaqi.
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