Robinson, the manager of the concern known as the Yankee Robinson
Consolidated Shows, combines a menagerie and a ballet _troupe_ with a
circus, the former containing a group of performing bears. The parades
of this circus are organized on a great scale, and usually present some
feature of novelty, or more than ordinary splendour. A new Polyhymnia,
used as an advertising car, and which produces a volume of sound equal
to that of a brass band, was added to its attractions in 1870. The
Hayneses or Senyahs, who performed at several of the London music-halls
a few years ago, and whose performance has been described in a previous
chapter, were at that time in the company, and had been during the
previous winter at the Olympic Theatre, Brooklyn. There also another
female gymnast known to the frequenters of metropolitan music-halls,
namely, Madlle Geraldine, appeared that season. Robinson is said to be
the only man that so far has been successful as a circus manager,
performer, and Yankee comedian, having appeared with considerable
success as a representative of Yankee characters at Wood’s Museum and
the Olympic Theatre, New York, as well as in other cities.
Stone and Murray’s circus enjoyed, until Barnum took the field, a
reputation second to none in the Union. ‘Wherever they have been,’ says
the writer already quoted, ‘they have left a good name behind them, and
they give a really good circus entertainment. Everything about the show
presents a neat appearance, and the company are noted for behaving
themselves wherever they appear.’ This is the circus in which two or
three of the numerous and talented Cooke family performed during the
season of 1870, together with Jeannette Elsler, who in 1852 performed at
Batty’s Hippodrome, being then a member of Franconi’s company. Charles
Bliss, now in Barnum’s company, and William Ducrow, were also members of
Stone and Murray’s company four years ago. For the parade, this circus
has a band chariot, drawn by forty horses; and in 1870, as an additional
outside attraction, Madlle Elsler made an ascent on a wire from the
ground to the top of the pavilion, a feat which she had performed
eighteen years previously at Batty’s Hippodrome.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account