The excitement of apparent danger was evidently as much an element of
the popular interest in circus performances a century ago as at the
present day.
Colonel West, to whom the ground on which the circus was erected
belonged, became a partner in the enterprise, and invested a large
amount in it. On his death the concern became very much embarrassed, and
struggled for several years with a load of debt. Hughes was succeeded as
manager by Grimaldi, a Portuguese, the grandfather of the famous clown
whom some of us remember at Covent Garden; and Grimaldi, in 1780, by
Delpini, an Italian buffo singer, under whose management the novel
spectacle of a stag-hunt was introduced in the arena.
Sadler’s Wells continued to give the usual entertainment, the
advertisements of 1780 announcing ‘a great variety of singing, dancing,
tumbling, posturing, rope-dancing,’ &c., by the usual very capital
performers, and others, more particularly tumbling by Rayner, Tully,
Huntley, Garmon, and Grainger, ‘pleasing and surprising feats of
strength and agility’ by Richer and Baptiste, and their pupils, and
tight-rope dancing by Richer, Baptiste, and Signora Mariana, varied
during a portion of the season by the last-named _artiste’s_ ‘new and
extraordinary performance on the slack wire, particularly a curious
display of two flags, and a pleasing trick with a hoop and three glasses
of wine.’
Astley’s soon became a popular place of amusement for all classes.
Horace Walpole, writing to Lord Stafford, says:—
‘London, at this time of the year [September], is as nauseous a drug as
any in an apothecary’s shop. I could find nothing at all to do, and so
went to Astley’s, which, indeed, was much beyond my expectation. I do
not wonder any longer that Darius was chosen King by the instructions he
gave to his horse; nor that Caligula made his Consul. Astley can make
his dance minuets and hornpipes. But I shall not have even Astley now:
Her Majesty the Queen of France, who has as much taste as Caligula, has
sent for the whole of the _dramatis personæ_ to Paris.’
Public-domain text, read in full here on John Shaqi.
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