For nearly forty years after the opening of Astley’s Amphitheatre, the
performances did not differ, in any respect, from the usual
entertainment of the smallest tenting company now travelling. The
earliest bill of the collection in the library of the British Museum was
issued in 1791, when the great attraction of the place appears to have
been the somersault over twelve horses, called _le grand saut du
Trampolin_, of James Lawrence, whose vaulting feats gained him the name
(in the bills) of the Great Devil.
In 1792, the entertainments comprised a considerable musical element,
and concluded with a pantomime. One of the advertisements of this year
announces the performances in the arena as follows:—
‘Horsemanship, and exercises for the Light Dragoons—Ground and lofty
tumbling—A grand entry of horses—Equestrian exercises, particularly the
metamorphose of the sack—Wonderful equilibres on a single
horse—Whimsical piece of horsemanship, called _The Taylor riding to
Brentford_.’
Sadler’s Wells continued to vary its programme with tumbling and
rope-dancing, and in 1792 gave ‘a pleasing exhibition of strength and
posture-work, entirely new, called _Le Tableau Chinois_, by Signor
Bologna and his children, in which will be displayed a variety of
curious and striking manœuvres. Tight-rope dancing by the Little
Devil and Master Bologna, with the comic accompaniment of Signor Pietro
Bologna.’
From the Royal Circus announcements of the following year, I select the
following two, as good illustrations of the kind of performances then
given, and curious examples of circus bills eighty years ago:—
ROYAL CIRCUS.
The Company at the CIRCUS beg leave to acquaint the Nobility, Gentry,
and Public, that young CROSSMAN will appear this present Evening, August
7, on HORSEBACK, and challenge all the Horsemen in Europe.
FRICAPEE DANCING, VAULTING, TIGHT-ROPE
DANCING, PYRAMIDS, GROUND AND
LOFTY TUMBLING, &c. &c. &c.
The performance will commence with a Grand Entry of Horses, mounted by
the Troop. Young CROSSMAN’S unparalleled Peasant Hornpipe, and Hag
Dance, not to be equalled by any Horseman in this Kingdom.
LE GRAND SAUT DE TRAMPOLINE by Mr PORTER, (Clown) who will jump over a
garter 15 feet from the ground, and fire off two Pistols.
THE MUSICAL CHILD, (only nine years of age) will go through his
wonderful Performance. Mr SMITH will go through a variety of
Performances on a Single Horse.
THE HUMOURS OF THE SACK,
OR, THE CLOWN DECEIVED BY A WOMAN.
FRICASSEE DANCE,
By Mr CROSSMAN and Mr PORTER.
Mr INGHAM (from Dublin) will throw an innumerable Row of Flipflaps.
Mr CROSSMAN will vault over the Horse backwards and forwards, with his
Legs Tied, in a manner not to be equalled by any Performer in this
Kingdom.
GROUND AND LOFTY TUMBLING,
Public-domain text, read in full here on John Shaqi.
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