Batty removed his company and stud at Whitsuntide to the Surrey, for a
short season, Dewhurst taking another benefit, on which occasion he
issued the following characteristic appeal:—
‘On this particular occasion Mr Dewhurst’s tongue will be placed on a
swivel in the centre, and black-leaded at both ends, to bring laughing
into fashion.
‘I wonder how the people can
Call me Mr Merryman!
Worn are my clothes almost out
By being whipped and knocked about;
Torn is my face in twenty places
By stretching wide to make grimaces.
My worthy cits,
Now is it fit
That you should sit,
Gallanting it,
The whole kit,
In box and pit,
To see me hit,
Boxed, cuffed, and smit,
Sham dead as a nit,
And laugh at it,
Till your sides split?
There you sit,
Though requisite
To rack my wit
These rhymes to knit,
Which I have writ
To bring the folks to a house well lit,
To fill the house before we quit,
For a great attraction all admit
Will be on Dewhurst’s benefit.’
From the Surrey, Batty and his company removed to White Conduit Gardens,
where a temporary circus was erected for the summer season, and in early
autumn to the theatre at Brighton. Astley’s was re-opened shortly
afterwards with a powerful company and a numerous stud of beautiful and
well-trained horses. Batty was himself a capital rider; Newsome, his
articled pupil, was already a very promising equestrian; and the company
was now joined by the celebrated Stickney, who was a great attraction
during several seasons. A bull-fight was one of the special features of
the programme of 1842–3, a horse being, as on other occasions when the
conflicts of the _Corrida de los Toros_ have been represented in the
arena, trained to play the part of the bull.
Public-domain text, read in full here on John Shaqi.
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