CHAPTER IV THE FLAT-GAME MAN The noises of the tented town swelled in picturesque chorus as Dr. Slavens walked toward them, rising and trailing off into the night until they wore themselves out in the echoless plain. He heard the far-away roll and rumble of voices coming from the gambling-tents; the high-tenor invitation of the barkers outside questionable shows; the bawl of street-gamblers, who had all manner of devices, from ring-pitching to shell-games on folding tables, which they could pick up in a twinkling and run away with when their dupes began to threaten and rough them up; the clear soprano of the singer, who wore long skirts and sang chaste songs, in the vaudeville tent down by the station. And above all, mingled with all--always, everywhere--the brattle of cornet and trombone, the whang of piano, the wail of violin, the tinkle of the noble harp, an aristocrat in base company, weeping its own downfall. All of the flaring scene appeared to the doctor to be extremely artificial. It was a stage set for the allurement of the unsophisticated, who saw in this strained and overdone imitation of the old West the romance of their expectations. If they hadn't found it there thousands of them would have been disappointed, perhaps disillusioned with a healthful jolt. All the reality about it was its viciousness, and that was unquestionable. It looked as if gambling crooks from everywhere had collected at Comanche, and as if the most openly and notoriously crooked of them all was the bony, dry-faced man with a white spot over the sight of his left eye, who conducted a dice-game in the front part of the chief amusement-place of the town. This was a combination variety theater and saloon, where free "living pictures" were posed for the entertainment of those who drank beer at the tables at twenty-five cents a glass. Of the living pictures there were three, all of them in green garments, which hung loosely upon flaccid thighs. Sometimes they posed alone, as representations of more or less clothed statuary; sometimes they grouped, with feet thrust out, heads thrown back, arms lifted in stiff postures, as gladiators, martyrs, and spring songs. Always, whether living or dead, they were most sad and tattered, famished and lean pictures, and their efforts were received with small applause. They were too thin to be very wicked; so it appeared, at least. Dr. Slavens stopped in the wide-spreading door of this place to watch the shifting life within. Near him sat a young Comanche Indian, his hair done up in two braids, which he wore over his shoulders in front. He had an eagle feather in his hat and a new red handkerchief around his neck, and he looked as wistful as a young Indian ever did outside a poem or a picture-film. He was the unwelcome guest, whom no one might treat, to whom no one might sell.