Deciphering thus with fingers and eyes, I traced these letters of blood,
one by one, over and over again, till they danced in my gaze like the
northern lights. I stood upon tiptoe and kissed them; I cared not what
I was doing: it was my own father’s blood, and I thought of the heart it
came from, not of the hand which shed it. When I turned away, the
surprise, for which till then I had found no time, broke full upon me.
How could these letters, in spite of all my vigilance, so long have
remained unseen? Why did the murderer peril his life yet more by
staying to write the record, and seal perhaps the conviction of his
deed? And what did these characters mean? Of these three questions,
the first was readily solved. The other two remained to me as new
shadows of wonder. Several causes had conspired to defer so long this
discovery. In the first place, the damask had been of rich lilac, shot
with a pile of carmine, which, in the waving play of light, glossed at
once and obscured the crimson stain, until the fading hues of art left
in strong contrast nature’s abiding paint. Secondly, my rapid growth and
the clearness of my eyes that day lessened the distance and favoured
perception. Again--and this was perhaps the paramount cause--the winter
sun, with rays unabsorbed by the snow, threw his sheer dint upon that
very spot, keen, level, and uncoloured--a thing which could happen on
few days in the year, and for few minutes each day, and which never had
happened during my previous search. Perhaps there was also some
chemical action of the rays of light which evoked as well as showed the
colour; but of this I do not know enough to speak. Suffice it that the
letters were there, at first a great shock and terror, but soon a strong
encouragement to me.
My course was at once to perpetuate the marks and speculate upon them at
leisure, for I knew not how fleeting they might be. I hurried
downstairs, and speaking to no one procured some clear tissue paper.
Applying this to the damask, and holding a card behind, I carefully
traced with a pencil so much of the letters as could be perceived
through the medium, and completed the sketch by copying most carefully
the rest; It was, however, beyond my power to keep my hand from
trembling. A shade flitted over my drawing--oh, how my heart leaped!
When I had finished the pencil-sketch, and before it was inked over (for
I could not bring myself to paint it red), I knelt where my father died
and thanked God for this guidance to me. By the time I had dried my
eyes the sun was passed and the lines of blood were gone, even though I
knew where to seek them, having left a pin in the damask. By measuring
I found that the letters were just three feet and a quarter above the
spot where my father’s head had been. The largest of them, the L, was
three inches long and an eighth of an inch in width; the others were
nearly as long, but nothing like so wide.
Public-domain text, read in full here on John Shaqi.
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