"Do you mean to sleep, my darling, in the little room to-night?" His
voice shook so, while he asked this question, that I was quite certain
something had alarmed him. The little room was the one I had occupied
between the main corridor and his present bedroom. It was meant for an
ante-room, not a sleeping chamber; but I had brought my little iron
bedstead thither.
"To be sure I do, dear uncle; do you suppose, because I have been off
duty, that I mean to be cashiered? Only one thing I must tell you; I
have brought home with me one of the very best friends I ever had. You
have heard me talk of Giudice. I cannot bear the thought of parting
with him to-night, he will cry so dreadfully in the strange stables; and
in London he always slept on the mat outside my door. May I have him in
the lobby, uncle, you will never hear him move, and he never snores
except just after dinner?"
"To be sure, my pet; I would not part you for the world. God bless you,
my own child, and keep your true heart lighter."
If I had been really his own child, he could not have been more loving
to me, than he had now become.
After giving Annie Franks her tea, which she was far too deep in
tournament to drink, I paid a visit to Mrs. Fletcher’s room, and learned
from her that nothing, so far as she knew, had happened to disturb my
uncle: Mrs. Daldy had not been near the house, and there was a rumour
afloat that she had been called to take part in a revival meeting near
Swansea. So after introducing Judy, who was a dreadful dog for jam, and
having him admired almost as much as he ought to be, I returned to
Annie, and found her in high delight with everything and everybody, and
most of all with her tapestry-writer. Leaving her at last under Tilly’s
care, Judy and I were making off for our sleeping quarters, when truant
Matilda followed me down the passage hastily.
"Oh, Miss, please, Miss, I want to tell you something, and I did not
like to name it before that nice young lady, because I am sure she is
timid like."
Matilda looked not timid like, but terrified exceedingly, as she stared
on every side with her candle guttering.
"Hold your candle up, Matilda; and tell me what it is."
By this time we were in the main passage, "corridor" they called it, and
could see all down it by the faint light of some oil-lamps, to the oriel
window at the farther end, whereon the moon (now nearly full again) was
shining.
"Why, Miss, the ghost was walking last night, and the night before."
"Nonsense, Matilda. Don’t be so absurd."
"It’s true, Miss. True as you stand there. Pale gray it is this time,
and so tall, and the face as white as ashes." And a shiver ran through
Tilly, at her own description--"You know, Miss, it’s the time of year,
and she always walks three nights together, from the big east window to
this end and back again. So please to lock your door, Miss, and bolt it
too inside."
Public-domain text, read in full here on John Shaqi.
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