What pleasure I had in nursing that poor Giudice, and how grateful he
was! When we got home, I washed his wounds again, with warm water this
time, as the bleeding was stanched; and then I "exhibited" (as the
doctors absurdly say) a little friar’s balsam. "Oh, it does smart so!"
Giudice exclaimed with his eyes, "but I know it’s for the best, and you
won’t see me give one wince." Neither did I. Then a nice soft bandage
over his lovely paws, and a plaister across his nose, and he lies
snugly, at the proper distance from the fire, as proud as possible of
being nursed, and with an interesting air of pallid refinement on his
features. He will hardly notice Idols, but exclaims, at length, with the
petulance of an invalid, "Isola, can’t you let me alone? Clara
understands a dog, and I like her much the best." So he followed me all
round the room with his eyes, and begged me to come and talk to him,
which I would not do, because he needed quiet and composure.
CHAPTER XI.
Beloved Giudice remained many days under my care, until he became
convinced that he was my dog absolutely, and had no claim on any other
human being. He more than paid for his board and medical attendance, by
sitting repeatedly for his portrait; in which at last I succeeded to his
and my own satisfaction. Though by no means a conceited dog, there was
nothing he loved better than having his likeness taken; and directly
after breakfast he always assumed the most becoming attitude, and
watched intently for the appearance of the pencil with his massive head
a little on one side, and his dark brown eyes full of dignified
interest, and his great ears curving down through russet tufts, like
tawny cascades in autumn, he seemed fit study for a real artist, who
should quicken as well as copy him. However, he was too much of a
gentleman to sneer at my weak efforts, for he saw that I did my best.
Oftentimes he would gaze steadfastly at the portrait and then at me, and
hobble up, and nudge me, and whine, a little, and then sigh in
self-abasement at his want of speech. Whenever he did this, I knew that
he wished to have something altered; but it was long before I could
discover what that something was. I tried every change of line or
colour that I could think of--all to no purpose. At length it struck me
that as he criticised more with nose than eyes, the defect must be in
the smell. Happy idea! I satisfied my Giudice at last, and did it
thus. After shading around the nose and mouth, before laying on the
colour, I took a clean dry brush, and passed it lightly round the
hollows of his own sweet saltish nostrils, carefully avoiding the cut;
then one turn of the brush, not on the palette, but on a dry square of
colour, and with that I expressed the dear dog’s nose so well, that he
would have spoiled it in a sniffing ecstasy, if I had not pulled it
away. His portrait now possessed the life which he required.
Public-domain text, read in full here on John Shaqi.
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