Clare Avery: A Story of the Spanish Armada — John Shaqi
Clare Avery: A Story of the Spanish ArmadaHolt, Emily Sarah
History
Clare Avery: A Story of the Spanish Armada
Holt, Emily Sarah
Great Britain -- History -- Tudors, 1485-1603 -- Fiction; Historical fiction
On the particular afternoon whereon the story opens, one of the
dreariest points of the landscape was the house towards which Hal
Dockett's steps were bent. It was of moderate size, and might have been
very comfortable if somebody had taken pains to make it so. But it
looked as if the pains had not been taken. Half the windows were
covered by shutters; the wainscot was sadly in want of a fresh coat of
paint; the woodbine, which should have been trained up beside the porch,
hung wearily down, as if it were tired of trying to climb when nobody
helped it; the very ivy was ragged and dusty. The doors shut with that
hollow sound peculiar to empty uncurtained rooms, and groaned, as they
opened, over the scarcity of oil. And if the spectator had passed
inside, he would have seen that out of the whole house, only four rooms
were inhabited beside the kitchen and its dependencies. In all the
rest, the dusty furniture was falling to pieces from long neglect, and
the spiders carried on their factories at their own pleasure.
One of these four rooms, a long, narrow chamber, on the upper floor,
gave signs of having been inhabited very recently. On the square table
lay a quantity of coarse needlework, which somebody seemed to have
bundled together and left hastily; and on one of the hard,
straight-backed chairs was a sorely-disabled wooden doll, of the
earliest Dutch order, with mere rudiments, of arms and legs, and
deprived by accidents of a great portion of these. The needlework said
plainly that there must be a woman in the dreary house, and the doll,
staring at the ceiling with black expressionless eyes, spoke as
distinctly for the existence of a child.
Suddenly the door of this room opened with a plaintive creak, and a
little woman, on the elderly side of middle life, put in her head.
A bright, energetic, active little woman she seemed,--not the sort of
person who might be expected to put up meekly with dim windows and dusty
floors.
"Marry La'kin!" [a corruption of "Mary, little Lady!"] she said aloud.
"Of a truth, what a charge be these childre!"
The cause of this remark was hardly apparent, since no child was to be
seen; but the little woman came further into the room, her gestures soon
showing that she was looking for a child who ought to have been visible.
"Well! I've searched every chamber in this house save the Master's
closet. Where can yon little popinjay [parrot] have hid her? Marry
La'kin!"
This expletive was certainly not appreciated by her who used it.
Nothing could much more have astonished or shocked Barbara Polwhele [a
fictitious person]--than whom no more uncompromising Protestant breathed
between John o' Groat's and the Land's End--than to discover that since
she came into the room, she had twice invoked the assistance of Saint
Mary the Virgin.
Public-domain text, read in full here on John Shaqi.
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