Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.Reach, Angus B. (Angus Bethune)
General
Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.
Reach, Angus B. (Angus Bethune)
Agriculture -- France; France -- Description and travel
As far down, indeed, as Henry VIII.'s time you might get Gascony and
Guienne wine for eightpence a gallon, and the comfortable word "claret"
was well known early in the seventeenth century. One of its admirers,
however, about that time gave odd reasons for liking it, to wit--"Claret
is a noble wine, for it is the same complexion that noblemen's coats be
of." This gentleman must have been a strenuous admirer of the
aristocracy. The old Gascon growth was, however, in all probability,
what we should now call coarse, rough wine. The district which is
blessed by the growth of Chateau Margaux and Chateau Lafitte, was a
stony desert. An old French local book gives an account of the "savage
and solitary country of Medoc;" and the wines of the Bordelais, there
is every reason to believe, were grown in the strong, loamy soil
bordering the river. By the time that the magic spots had been
discovered, blessed with the mystic properties which produce the Queen
of Wine we had been saddled with--our tastes perverted, and our stomachs
destroyed--by the woful Methuen treaty--heavy may it sit on the souls of
Queen Anne, and all her wigged and powdered ministers--if, indeed, men
who preferred port wine to claret can be conceived to have had any souls
at all, worth speaking about--and thenceforth John Bull burnt the coat
of his stomach, muddled the working of his brain, made himself bilious,
dyspeptic, headachy, and nationally stupid, by imbibing a mixture of
strong, coarse, wines, with a taste but no flavour, and bedevilled with
every alcoholic and chemical adulteration, which could make its natural
qualities worse than they were. See how our literature fell off. The
Elizabethans quaffed sack, or "Gascoyne, or Rochel wyn;" and we had the
giants of those days. The Charles II. comedy writers worked on claret.
Port came into fashion--port sapped our brains--and, instead of
Wycherly's _Country Wife_, and Vanbrugh's _Relapse_, we had Mr. Morton's
_Wild Oats_, and Mr. Cherry's _Soldier's Daughter_. It is really much to
the credit of Scotland, that she stood staunchly by her old ally,
France, and would have nothing to do with that dirty little slice of the
worst part of Spain--Portugal, or her brandified potations. In the old
Scotch houses a cask of claret stood in the hall, nobly on the tap. In
the humblest Scotch country tavern, the pewter _tappit hen_, holding
some three quarts--think of that, Master Slender,--"reamed," _Anglice_
mantled, with claret just drawn from the cask, and you quaffed it,
snapping your fingers at custom-houses. At length, in an evil hour
Scotland fell:
"Bold and erect the Caledonian stood,
Firm was his mutton, and his claret good;
'Let him drink port!' the English statesman cried.
He drank the poison, and his spirit died!"
But enough of this painful subject. As Quin used to say, "Anybody drink
port? No! I thought so: Waiter, take away the black strap, and throw it
out."
Public-domain text, read in full here on John Shaqi.
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