Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.Reach, Angus B. (Angus Bethune)
General
Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.
Reach, Angus B. (Angus Bethune)
Agriculture -- France; France -- Description and travel
One word more about the vintage. The reader will easily conceive that it
is on the smaller properties, where the wine is intended, not so much
for commerce as for household use, that the vintage partakes most of the
festival nature. In the large and first-class vineyards the process goes
on under rigid superintendence, and is as much as possible made a cold
matter of business. He who wishes to see the vintages of books and
poems--the laughing, joking, singing festivals amid the vines, which we
are accustomed to consider the harvests of the grape--must betake him to
the multitudinous patches of peasant property, in which neighbour helps
neighbour to gather in the crop, and upon which whole families labour
merrily together, as much for the amusement of the thing, and from good
neighbourly feeling, as in consideration of francs and sous. Here, of
course, there is no tight discipline observed, nor is there any absolute
necessity for that continuous, close scrutiny into the state of the
grapes--all of them hard or rotten, going slap-dash into the
_cuvier_--which, in the case of the more precious vintages, forms no
small check upon a general state of careless jollity. Every one eats as
much fruit as he pleases, and rests when he is tired. On such occasions
it is that you hear to the best advantage the joyous songs and choruses
of the vintage--many of these last being very pretty bits of melody,
generally sung by the women and girls, in shrill treble unison, and
caught up and continued from one part of the field to another.
[Illustration: RETURNING FROM THE VINTAGE.]
Yet, discipline and control it as you will, the vintage will ever be
beautiful, picturesque, and full of association. The rude wains,
creaking beneath the reeking tubs--the patient faces of the yoked
oxen--the half-naked, stalwart men, who toil to help the cart along the
ruts and furrows of the way--the handkerchief-turbaned women, their gay,
red-and-blue dresses peeping from out the greenery of the leaves--the
children dashing about as if the whole thing were a frolic, and the
grey-headed old men tottering cheerfully adown the lines of vines, with
baskets and pails of gathered grapes to fill the yawning tubs--the whole
picture is at once classic, venerable, and picturesque, not more by
association than actuality.
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