Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way. — John Shaqi
Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.Reach, Angus B. (Angus Bethune)
General
Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.
Reach, Angus B. (Angus Bethune)
Agriculture -- France; France -- Description and travel
At length the tedious hour and a half wore away, and I entered the
terminus--a roughly built wooden shed. The train consisted of a first,
second, and third-class carriage; but there were no first-class
passengers, only one solitary second-class, and about a dozen
third-classes, with whom I cast my lot. Miserable as the freight was,
the locomotive whistled as loud and panted as vehemently as if it were
yoked to a Great Western express; and off we went through the broad belt
of nursery gardens, which encircles every French town, and where the
very best examples of the working of the small proprietary system are to
be seen. A rapid run through the once greatly famed and still esteemed
vineyards of Hautbrion, and we found ourselves scurrying along over a
negative sort of country--here a bit of heath, there a bit of
vineyard--now a bald spot of sand, anon a plot of irregularly-cut
stubble; while a black horizon of pine-wood rose gradually on the right
and left. On flew the train, and drearier grew the landscape; the heath
was bleaker--the pines began to appear in clumps--the sand-stretches
grew wider--every thing green, and fertile, and _riant_ disappeared. He,
indeed, who enters the Landes, appears to have crossed a French
frontier, and left the merry land behind. No more bright vineyards--no
more rich fields of waving corn--no more clustered villages--no more
chateau-turrets--no more tapering spires. You look up to heaven to see
whether the sky has not changed, as well as the land. No; all there is
blue and serene as before, and the keen, hot sun glares intensely down
upon undulating wastes of marsh, fir, and sand, among which you may
travel for leagues without seeing a man, hearing a dog bark, or a bird
sing. At last we were fairly among the woods, shooting down what seemed
an eternal straight tunnel, cleft by lightning through the pines. The
trees stood up stark and stiff, like cast-iron; the fir is at once a
solemn and a rigid tree--the Puritan of the forest; and down the side of
each Puritan I noticed a straight, yellowish gash, running
perpendicularly from the spread of the branches almost to the earth, and
turned for explanation to an intelligent-looking man, evidently a
citizen of Bordeaux, opposite me.
"Ah!" he said, "you are new to our Landes."
I admitted it.
"And these gashes down the trees--these, monsieur, give us the harvest
of the Landes."
"The harvest! What harvest?"
"What harvest? Resin, to be sure."
"Ay, resin," said an old fellow with a blouse and a quick eye; "resin,
monsieur; the only harvest that man can grow in sand."
"_Tenez_," said my first interlocutor; "the peasants cut that gash in
the tree; and at the root they scoop a little hollow in the ground. The
resin perspires out of the wood, flows slowly and glutinously down the
gash, and in a month or so, according to the heat of the weather, the
hole is full, and the man who rents the trees takes up the sticky stuff,
like soup, with a ladle."
Public-domain text, read in full here on John Shaqi.
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