The supply of animal gayety in this man was something portentous. One cannot, however, but feel that he forces it sometimes, as sometimes did Dickens those exhaustless animal spirits of his. A very common trick of the Rabelaisian humor is to multiply specifications, or alternative expressions, one after another, almost without end. From the second book of his romance,--an afterthought, probably, of continuation to his unexpectedly successful first book,--we take the last paragraph of the prologue, which shows this. The veracious historian makes obtestation of the strict truth of his narrative, and imprecates all sorts of evil upon such as do not believe it absolutely. We cleanse our extract a little:-- And, therefore, to make an end of this Prologue, even as I give myself to an hundred thousand panniers-full of fair devils, body and soul,... in case that I lie so much as one single word in this whole history; after the like manner, St. Anthony's fire burn you, Mahoom's disease whirl you, the squinance with a stitch in your side, and the wolf in your stomach truss you, the bloody flux seize upon you, the cursed sharp inflammations of wild fire, as slender and thin as cow's hair strengthened with quicksilver, enter into you,... and, like those of Sodom and Gomorrha, may you fall into sulphur, fire, and bottomless pits, in case you do not firmly believe all that I shall relate unto you in this present Chronicle. So much for Rabelais's prologues. Our readers must now see something of what, under pains and penalties denounced so dire, they are bound to believe. We condense and defecate for this purpose the thirty-eighth chapter of the first book, which is staggeringly entitled, "How Gargantua did eat up Six Pilgrims in a Sallad":--