French fiction -- Translations into English; Man-woman relationships -- Fiction; Young men -- Fiction
At the fortifications, we encountered the first grass, short yet, but
spread out like a vast carpet of light green and emitting a perfume
intoxicating in its delicious freshness. We went down into the moat,
making our way along beside the high gray walls, penetrating with
curiosity into their secluded corners. On one side was the pale-hued
stretch of wall, on the other the verdant slope. We advanced as if in a
deserted and silent street which had no houses. In some of the corners
the sun's rays had massed themselves, and had caused to shoot up tall
thistles which were peopled by a whole nation of insects--beetles,
butterflies and bees; these corners were full of buzzing sounds and
grateful warmth. But, that morning, the slope threw its delightful
shadow at our feet; we walked noiselessly upon a fine, thick turf,
having before us a narrow band of sky, against which stood out in full
light the meagre trees which rose above the wall.
The moats of the fortifications are little deserts, amid which I have
very often forgotten myself and my troubles. The narrow horizon, the
shade and the silence, which render more audible the hollow murmur of
the great city and the bugles of the neighboring soldiers' barracks,
make them peculiarly dear to boys, to little and grown up children.
There, one is in an excavation at the gates of the city, feeling it pant
and start, but no longer perceiving it. For half an hour, Laurence and I
contented ourselves with this ravine which made us forget the houses and
the beaten paths; we were a thousand leagues from Paris, far from every
habitation, seeing only stones, grass and sky. Then, already
suffocating, eager for the plain, we joyously ran up the slope. The
broad country stretched out before us.
We found ourselves amid the airy and unconfined lands of Montrouge.
These neglected and muddy fields are stricken with eternal desolation,
poverty and lugubrious poesy. Here and there, the soil is cleft
frightfully, as with a horrible yawn, displaying, like open entrails,
old and abandoned stone quarries, wan and deep. Not a tree is to be
seen; huge windlasses alone stand out against the low, sad horizon. The
lands have I know not what miserable aspect, and are covered with
nameless wrecks. The roads twist, plunge into hollows and stretch away
in a melancholy fashion. New huts in ruins and heaps of rubbish thrust
themselves upon the eye at each turn of the paths. Everything has a raw
look--the black lands, the white stones and the blue sky. The entire
landscape, with its unhealthy aspect, its roughly cut up sections and
its gaping wounds, has the indescribable sadness of countries which the
hand of man has torn.
Public-domain text, read in full here on John Shaqi.
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