French fiction -- Translations into English; Man-woman relationships -- Fiction; Young men -- Fiction
The old woman went away, and I was alone. I shut the door, and, taking
up the candle, approached the bed. The girl extended upon it seemed
about twenty-four. She was plunged in that deep stupor which follows
nervous convulsions. Her feet were drawn up beneath her; her arms, still
stiff and wide open, were thrown over the edges of the bed. I could not
at first judge of her beauty: her head, thrown backward, was concealed
by her flood of hair.
I took her in my arms, straightened out her limbs and placed her upon
her back. Then I drew away the hair from her face. She was ugly: her
closed eyes had no lashes, her temples were low and retiring, her mouth
large and sunken. Premature old age had effaced the outlines of her
features and left upon her whole countenance an imprint of lassitude and
avidity.
She was sleeping. I heaped over her feet all the rags within my reach;
then I raised her head by putting under it more old clothes which I had
found and rolled into a bundle. My science being limited to these cares,
I decided to wait until she awoke. I feared lest she might have another
attack, fall and wound herself.
I examined the garret. On entering I had noticed a strong perfume of
musk, which, mingling with the sharp odor of the dampness, struck
strangely upon the sense of smell. Upon the mantelpiece was a row of
vials and little pots, still greasy with aromatic oils. Above hung a
cracked looking-glass, with the amalgam at the back gone in broad
patches. In addition, the walls were bare. Many things lay about on the
floor: satin shoes down at the heel, dirty linen, faded ribbons, rags of
lace. As I went along, scattering the tatters with my foot to make a
passage for myself, I came across a handsome dress of blue silk,
ornamented with bows of velvet. It had been thrown into a corner among
the other gewgaws, rolled up, rumpled, stained yet with the mud of the
town. I raised it and hung it on a nail.
Weary and finding no chair, I sat down on the foot of the bed. I began
to understand where I was. The girl still slept; she was now plainly
visible. I thought I had made a mistake in declaring her ugly, and
looked at her with greater attention. An easier sleep had brought to her
lips a vague smile; her features were relaxed; her past suffering had
given a sort of gentle and sad beauty to her ugliness. She reposed,
sorrowful and resigned. Her soul seemed to have taken advantage of her
rest to mount to her face.
Public-domain text, read in full here on John Shaqi.
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