First there had been Champ's instant distrust of Mr. Furnay and Bivins, and his attempt to rout them for the aliens they were. There had been Bivins' anomalous scream when bitten--a raucous sound certainly not human--and Mr. Furnay's grittily inconsonant order, spoken in no identifiable earthly tongue. The isolation of the Furnay estate took on a sinister and significant logic, as did its understaffed condition; there was the evident but baffling reluctance of Mr. Furnay and his myrmidons (with the notable exception of the golden-voiced Pearl) to approach even safely caged beasts, and the greater mystery of why a man so terrified of wild animals should have bought a menagerie in the first place. Considering the part played by Perrl-high-C-trill-and-A-above in a scheme of things so fantastic left Oliver more disturbed than ever, but for a different reason. That she was unarguably as alien as the others made her equally mysterious, but connoted no share in whatever devious plot occupied the Furnay faction; a reexamination of Mr. Furnay's harshly dictatorial attitude toward her, coupled with Oliver's own uncertain memory of the moment when the girl had come to his rescue, convinced him that she was not ipso facto a member of the extraterrestrial cabal but was its prisoner instead. Visualizing the probable fate of a beautiful girl held captive by aliens--and forced by them to train outlandish, half-remembered brutes like the one behind the partition--rather strained Oliver's talent for surmise, but at the same time moved him to the uneasy conviction that it was his duty to rescue her in turn. The thought that he might already be too late appalled him. The slender blonde beauty of Perrl-high-C-trill-and-A-above was distractingly fresh in his mind, the eager arpeggiation of her voice an indelible memory. Recalling the smile she had given him in parting stirred an internal warmth unguessed at before, an emotional ignition certainly never kindled by his fiancee or family. * * * * * Orella Simms, Glenna, his Aunt Katisha! Thought of his obligations brought him back to reality with a jar; the appalling gulf between fact and fancy made clear to him with sudden and shocking clarity the nonentity's role that had been played, and must be played, all his life by Oliver Watts.