Cleek: the Man of the Forty FacesHanshew, Thomas W.
General
Cleek: the Man of the Forty Faces
Hanshew, Thomas W.
Cleek, Hamilton (Fictitious character) -- Fiction; Detective and mystery stories; Police -- Great Britain -- Fiction
For of a sudden, through a break in the traffic, a scudding figure had
sprung into sight--the figure of a man in a grey frock-coat and a
shining "topper," a well-groomed, well-set-up man, with a small,
turned-up moustache and hair of that peculiar purplish-red one sees only
on the shell of a roasted chestnut. As he swung into sight, the distant
whistle shrilled again; far off in the distance voices sent up cries of
"Head him off!" "Stop that man!" _et cetera_; then those on the pavement
near to the fugitive took up the cry, joined in pursuit, and in a
twinkling, what with cabmen, tram-men, draymen, and pedestrians
shouting, there was hubbub enough for Hades.
"A swell pickpocket, I'll lay my life," commented Collins, as he squared
himself for an encounter and made ready to leap on the man when he came
within gripping distance. "Here! get out of the way, madmazelly.
Business before pleasure. And, besides, you're like to get bowled over
in the rush. Here, chauffeur!"--this to the driver of a big, black
motor-car which swept round the angle of the bridge at that moment, and
made as though to scud down the Embankment into the thick of the
chase--"pull that thing up sharp! Stop where you are! Dead still. At
once, at once, do you hear? We don't want you getting in the way. Now,
then"--nodding his head in the direction of the running man--"come on
you bounder; I'm ready for you!"
And, as if he really heard that invitation, and really was eager to
accept it, the red-headed man did "come on" with a vengeance. And all
the time, "madmazelly," unheeding Collins's advice, stood calmly and
silently waiting.
Onward came the runner, with the whole roaring pack in his wake, dodging
in and out among the vehicles, "flooring" people who got in his way,
scudding, dodging, leaping, like a fox hard pressed by the
hounds--until, all of a moment he spied a break in the traffic, leapt
through it, and--then there was mischief. For Collins sprang at him like
a cat, gripped two big, strong-as-iron hands on his shoulders, and had
him tight and fast.
"Got you, you ass!" snapped he, with a short, crisp, self-satisfied
laugh. "None of your blessed squirming now. Keep still. You'll get out
of your coffin, you bounder, as soon as out of my grip. Got you--got
you! Do you understand?"
The response to this fairly took the wind out of him.
"Of course I do," said the captive, gaily; "it's part of the programme
that you should get me. Only, for Heaven's sake, don't spoil the film by
remaining inactive, you goat! Struggle with me--handle me roughly--throw
me about. Make it look real; make it look as though I actually did get
away from you, not as though you let me. You chaps behind there, don't
get in the way of the camera--it's in one of those cabs. Now, then,
Bobby, don't be wooden! Struggle--struggle, you goat, and save the
film!"
"Save the what?" gasped Collins. "Here! Good Lord! Do you mean to
say--?"
Public-domain text, read in full here on John Shaqi.
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