Mary Turner betook herself to the door, in a manner as dignified as
it is possible to retain when retreating with one's face to the foe.
But when she got there, she put her arms akimbo and opened the vials
of her wrath on Tim Kelly. The neighbours came to the doors to listen.
It was a noble effort, and the wives remembered some of Mistress
Turner's phrases long after, and reproduced them every fortnight upon
pay-nights, for the benefit of their husbands when they came home with
only eleven intact shillings out of twenty-three.
But Tim Kelly hardly troubled to reply. He only said that Mary Turner
was a brass-faced old Jezebel, a statement which he repeated several
times, because he observed that it provoked on each occasion a fresh
burst of the Turnerian vocabulary.
Tim Kelly never wasted animosity. After all, Mistress Turner was not
his wife, and there were other means of getting even with her. He could
win money at cards from her husband, or he could teach her son, Jamie,
who had just left school, a fine new game with the lock of a door and
one of his curious pronged hooks. There are more ways of killing a cat
than drowning it in cream—also many deaths less agreeable to the cat.
So Tim Kelly bided his time.
But for some reason Tim Kelly grew less unkind to his wife than he had
ever been, since those terrible days when in Ormiland parish bonny
Isbel Beattie grew "fey."
It was said that Tim was afraid of his son Cleg. At any rate, certain
it is that he beat his wife no more, and very occasionally he even
gave her a little money. So in her heart Isbel Kelly counted these
good days, and sometimes she could almost have wished to live a little
longer.
It was not often that Cleg stayed in the house with her. That she did
not expect. But at all times of the day she could see him, rushing
about the brickfield, sometimes piling bricks into castles; at other
times helping Jo Turner; then again playing at marbles for "keeps" in
the red dust of the yard, with the sun pouring down upon his head. It
was a constant marvel to Isbel that he was never tired. She was always
tired.
Sometimes Cleg Kelly fought, and then his mother called him in. He
always came—after the fight was over. He still wore a hat of straw with
a hole in it, or rather he wore a hole with a little rim of hat round
it. He loved his mother, and, on the whole, attended to what she told
him. He did not steal anything of value, nor would he go near Hare's
public. He did not tell more lies than were just and necessary. He
minded his mother's wants, and was on the whole a fairly good boy, as
boys go down by the Easter Beach brickyard. The standard was not an
exacting one.
"Mind, now, Cleg, when I gang awa', ye are to bide wi' your faither,
an' no cross him ower sair. He is your faither, mind, an' I leave him
to you."
Public-domain text, read in full here on John Shaqi.
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