Cleopatra, Queen of Egypt, -30 B.C. -- Fiction; Egypt -- History -- 332-30 B.C. -- Fiction
What remained to-day of that ancient alliance? It was Rome now that
stood in need of aid. Moreover, she was invoking it, and in the
present state of discord each faction was, in turn, begging the
support of Egypt's fleet. If Cleopatra did not respond to this
appeal it was because she was uncertain which side would win. To
which party would the Republic belong to-morrow? If the conspirators
who had murdered Cæsar were victorious, it was probable that, shorn
of power as it was, the kingdom of Egypt, together with those of
Greece, Syria, Gaul, and Spain, as well as Mauritania, would become
merely colonies of Rome. If the other party, that was loyal to
Cæsar's memory, were the winner, then she could look for the
consideration due her. Was it not likely that the friends of Cæsar,
desirous of carrying on the work that he had planned, would guard the
interests of the woman whom he had named as his wife? Would they not
protect the child who bore his image? But who would be the
conquerors? Cleopatra was tormented with the perpetual question; and
the report of Cassius' success in Macedonia filled her with
apprehension.
That was in the early autumn. Then came winter, with its fogs and
storms; navigation was suspended and there was no further news from
the battle-fields.
The sight of Alexandria, filled as that city was for her with
memories and with forebodings, plunged her into endless reveries.
There the brimming cup of joy had been handed her and she had drunk
her fill. Often at sunset, when the magic purple light bathed the
landscape, she would climb to one of the terraces looking toward the
Bruchium and gaze upon the façades of shimmering gold. How lovely it
was, stretched under the fiery sky, at the edge of the tawny beach;
or lighted at night by the giant torches of its watch-towers! How
much more beautiful it had grown in the decades since its founder had
drawn the first plans and shaped its boundaries, which lay around it
like the folds of a military cloak. The Queen of such a city might
well be proud. In whichever direction she looked were many-coloured
marbles, enamelled domes of porcelain, triumphal arches, façades
exquisitely carved. On the crest of a small hill stood the Pantheon,
called in jest the Cage of the Muses. It was here, according to
ancient tradition which the Lagidæ held in deepest reverence, that
poets, sculptors, musicians, and artists of all nations were accorded
a warm welcome, always provided they had excelled in their art and
were faithful worshippers of Apollo.
Public-domain text, read in full here on John Shaqi.
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