Cleopatra, Queen of Egypt, -30 B.C. -- Fiction; Egypt -- History -- 332-30 B.C. -- Fiction
The sun had just set, and a crescent of silver was visible in the
evening sky. One by one the high lamps, planted like trees along the
avenues, shone out. Delicate, rose-coloured illuminations began to
sparkle along the edges of the houses, where they hung like fruit
among the thin branches of the plane trees. If the festivals of the
daylight had been rich and attractive, the evening decorations
satisfied the sensuous taste. The Queen had given orders that no
expense be spared to give general pleasure. The fountains at the
palace doors ran red with wine, and on the long tables in the inner
courts, which led from the stables to the kitchen, meats, pastries,
and cheese were served to the public. Order was carefully preserved
and, after getting their portions, the people were compelled to move
on. Many went to the theatres, where free performances were given;
others preferred to linger by the street-shows, watching the farces;
others wound up the evening's entertainment in some of the notorious
resorts of the Rhakotis.
While the common people amused themselves thus, herded together in an
atmosphere of dust and sweat, the rich people, to whom every day was
a holiday, entertained themselves in a less vulgar manner. Many, at
the hour of supper, left the crowded part of the city to linger along
the aristocratic avenues on the west side of the great capital, which
seemed half asleep among their silent gardens. A group of perfumed
dandies stopped before a dwelling, small, but of charming
proportions, surrounded by pine trees. A slave came out to open the
gate. Crossing the vestibule, where a fountain was playing, they
were introduced into a hall lined from floor to ceiling by thousands
of rolls of papyrus. It was the library where Polydemus, who had
made a fortune in perfumes, delighted to receive his guests. Those
whom he had invited this evening belonged to various circles of
society; for it was his pleasure that in his home all subjects should
be discussed and all the topics of the day be passed upon freely.
Except in art, where he had a preference for the Greek style, he was
liberal-minded, and so unprejudiced that he did not hesitate to bring
together men of opposing views. Consequently he numbered among his
guests Apollodorus, the secretary of the Queen, whose devotion to her
was well known; Demetrius, the lieutenant, who had fought him under
Achillas; Sati, a Theban of ancient family, who was wedded to the old
traditions and objected to all foreign influence; rhetoricians, noted
for their Athenian culture; financiers and artists; philosophers, as
little likely to hold the same views on any one subject as are men of
political bent.
Behind drawn curtains the hall was brilliantly lighted. Between the
delicate columns, busts of Homer, Pindar, Zeno, and Epicurus rested
on bronze pedestals; and, alternating with them, as though to thank
these great men for their indulgence, stood graceful statues of women.
Public-domain text, read in full here on John Shaqi.
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