Cleopatra, Queen of Egypt, -30 B.C. -- Fiction; Egypt -- History -- 332-30 B.C. -- Fiction
The good faith which he usually showed in his dealings gained him
indulgence, and his generosity was an antidote to his plundering. He
often restored with one hand what he had taken with the other. The
day before he left Antioch, wishing to reward the chef who had
prepared the feasts which he and his friends had enjoyed, he gave him
a palace which had served as a ransom for a wealthy citizen of
Magnesia.
His stay at Ephesus brought about the undoing of Mark Antony. Though
not less dissolute than Antioch, this celebrated city was in a way
different. Entirely under the influence of the priests, since the
temple of Diana had been erected with its marble columns, it had
impressed on everything, even the most objectionable, the stamp of
her worship. Magnificent festivals attracted not only pilgrims, but
hordes of suspicious characters, to whom the sanctuary afforded a
safe refuge. All this mass of men, this mixture of charlatans,
mountebanks, magicians, jugglers, and sorcerers, skilful in
exploiting vice as well as superstition, helped to transform these
fêtes into wild revels. And these horrors, these infamous liberties,
took place at the shrine of Diana and under the guise of her worship.
In leaving Delos and approaching the Syrian coast, where all things
became tainted and corrupt, the character of the chaste goddess was
changed. She who on the other side of the water breathed forth
strength and modesty had become a coarse idol of the flesh. It
seemed as though in changing her dwelling-place the very essence of
her being was altered; the divine huntress had abandoned her bow and
arrow, and the decadent imagination of some unknown sculptor had
coarsened and distorted the lines of her virginal body. Oh, nymph of
the woods, in what profane regions have your flying feet strayed!
When the Ephesians heard that the Triumvir was on his way to visit
their city they determined, with their passion for deifying
everything, to welcome him as they would Dionysos. Chariots preceded
him, filled with girls representing Bacchantes; a group of Pans and
Satyrs surrounded him, dancing to the accompaniment of the flute.
They saluted him with the names given to the god himself, greeting
him with the verses sacred to his worship: "Hail to thee, Heracles,
giver of all joys! Oh, Bacchus, to whom we owe the juicy fruit of
the vines! Omestes, sweet as tender figs, thou art welcome!" The
whole town, wherever Antony's chariot passed, was decorated with ivy
and garlands of flowers. Music resounded and blue clouds of incense
mounted heavenward.
If Antony did not actually believe himself to be the son of Jupiter,
he was drunk with flattery and claimed some of the privileges of
divine ancestry, chiefly that of being beyond the control of human
laws. His caprices were limitless. He attired himself in silk and
cloth of gold, had a chorus of dancers in continual attendance, and
held his court with Olympian bearing.
Public-domain text, read in full here on John Shaqi.
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