Cleopatra, Queen of Egypt, -30 B.C.; Egypt -- History -- 332-30 B.C. -- Biography; Queens -- Egypt -- Biography
Picture to yourself the most costly materials, marbles, breccia,
granites, ebony and cedar woods, porphyry, basalt, agate, onyx,
lapis-lazuli, bronze, silver, ivory, and gold; conceive the most
imposing Egyptian, the most beautiful Grecian architecture, imagine
the Parthenon and the temple of Jupiter Olympus, the Pavilion of
Rameses, and the ruins of Apollinopolis Magna; recreate the royal
palaces of Alexandria, which, with their dependencies, their gardens,
their terraces, rising one above another, made up a third of the
city: reconstruct the massive enclosures—those double pylons into
which opened avenues bordered with sphinxes; those obelisks, those
magnificent propylæa, those saloons three hundred feet long and a
hundred and fifty wide, supported by vast columns, in which rise
double rows of pillars ten meters in circumference and twenty meters
in height, bursting into lotus blossoms at their summits; those
sanctuaries with their screens enameled in gold and tortoiseshell,
and studded with gems; those long picture galleries adorned with
the paintings of Zeuxis, Apelles, and Protogenes; those magnificent
thermæ with their calidaria, their basins of hot and cold water, their
retiring-rooms with walls of red porphyry, their porticos adorned
with statues; those gymnasia, theaters, hippodromes, those stages
covered with saffron powder, those triclinia where the couches of
embossed silver rested on Babylonian carpets; those atria with their
uncovered roofs, sustained by Corinthian columns with capitals of
golden bronze, by day shaded by purple awnings, the silk of which
was worth its weight in gold, and at night open to the starry sky.
See, at all seasons, blooming in the gardens roses and violets, and
scatter the pavements of onyx and mosaics four times a day with fresh
flowers; people this scenery with crowds of slaves, pipers, players
of the harp and psaltery, dancers, actors, Atellans [of the drama,
as at Atellan, of lascivious character, Atellanæ], acrobats, mimes,
gymnasts, ballet-dancers, and serpent-charmers. Load these tables with
oysters from Tarentum, lampreys dressed with garum, bonitos cooked
in fig-leaves, pink ousels, quails, pheasants, swans, geese livers,
stews made of the brains of birds, hares cooked rare and dusted with
coriander seeds, truffles as large as the fist which were assumed to
fall from the sky like aërolites, cakes of honey and wheat flour, and
the most delicious fruits of the Mediterranean basin. In the kitchens,
roasting before the fires on immense hearths, for the entertainment of
fifteen guests, twelve wild boars, spitted successively at intervals
of three minutes, so that, according to the duration of the feast,
one of these animals might be exactly cooked at the very moment it
was required to be served. Cool in snow the old Cæcuban wine, the
Falernian ripened for twenty years, the wines of Phlemtes, Chios,
Issa, the imperial wine of Lesbos, the ripe wine of Rhodes, the sweet
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account