LARGE SQUARE (=ha=) _temple_. This square is not open, but it encloses
a smaller square in one corner, and thus resembles a stamped envelope.
The god or sacred bird that dwells in this temple is depicted within
the square. On the third face of the obelisk, right lateral column,
the goddess Athor or Hathor--literally the abode of Horus, thus
implying that she was Horus' mother--is represented by a large square,
enclosing a hawk, the emblem of Horus. Within the square hieroglyph
now under consideration will be noticed the figure of a bird somewhat
defaced, probably the crane or phœnix. The square itself is perhaps
the ground plan of a temple, or adytum of a temple. Thus the sentence
means, "within the house, the temple of the phœnix." Cooper thinks
the bird depicted is the _bennu_, the sacred bird of Heliopolis, and
that the temple of the bennu, called _habennu_, is the great temple of
the sun at Heliopolis.
[Illustration: "He is known as his son, a divine person. His limbs issuing
in all places, according to his wish."]
MOUTH (=ru=) }
} The two, _ru-aten_, equal _known_.
CIRCLE (=aten=)}
GOOSE (=sa=) son.
CERASTES (=ef=) _he_.
CHICK (=u=) _is_.
HATCHET (=neter=) _divine_.
HUMAN FIGURE _person_.
Thothmes, in virtue of his royalty, styles himself a "divine person."
TWISTED CORD (=hi=) _limbs_. The three dots represent fragments of his
body, and form a determinative of limbs.
HOUSE (=p=)}
} The two form _per_, _issuing_.
MOUTH (=r=)}
OWL (=em=) _in_.
MÆANDER (=ha=) _place_.
BASKET (=neb=) _all_.
MOUTH (=er=) _according to_.
POOL (=mer=) _wish_.
MOUTH (=er=) _his_.
Then follows, "son of the sun, Thothmes of An," etc., the same hieroglyphs
as those already explained at the lower part of the first column. The only
new hieroglyph is the _pylon_, rendered _An_ in the cartouche. It may be
explained as follows:--
[Illustration]
PYLON (=An=) _Heliopolis_. The sacred city of the sun must have been a
city of obelisks, temples, and pylons, or colossal gateways. The
latter must have formed a conspicuous feature of the place, inasmuch
as the massive masonry of the gateways would tower high above the
other buildings. This being so, it is not surprising that a pylon with
a flagstaff should be the usual symbol for Heliopolis.
The hieroglyphs following the cartouche mean, "Beloved of Haremakhu,"
etc., and have already been explained.
It ought to be observed that on three sides of the obelisk Thothmes'
columns of hieroglyphs ended alike, namely: face one, now almost
obliterated in this part; face two, still distinct; and face four, more
complete in its termination than any other side.
CHAPTER X.
THE HIEROGLYPHICS OF THOTHMES III.
_Translation of the Third Side._
Public-domain text, read in full here on John Shaqi.
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