Clerambault: The Story of an Independent Spirit During the WarRolland, Romain
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Clerambault: The Story of an Independent Spirit During the War
Rolland, Romain
World War, 1914-1918 -- Fiction
Nevertheless he was not entirely metamorphosed, for his soul was not
altered, it was only forgotten; as soon as he was alone he could hear
it moaning, and for this reason he avoided solitude. He persisted in
not returning to St. Prix, where the family usually stayed in summer,
and reinstalled himself in his apartment at Paris, on the fifth floor
in the Rue d'Assas. He would not wait a week, or go back to help in
the moving. He craved the friendly warmth that rose up from Paris, and
poured in at his windows; any excuse was enough to plunge into it, to
go down into the streets, join the groups, follow the processions, buy
all the newspapers,--which he despised as a rule. He would come back
more and more demoralised, anaesthetised as to what passed within
him, the habit of his conscience broken, a stranger in his house, in
himself;--and that is why he felt more at home out of doors than in.
Madame Clerambault came back to Paris with her daughter, and the first
evening after their arrival Clerambault carried Rosine off to the
Boulevards. The solemn fervour of the first days had passed. War had
begun, and truth was imprisoned. The press, the arch-liar, poured into
the open mouth of the world the poisonous liquor of its stories of
victories without retribution; Paris was decked as for a holiday; the
houses streamed with the tricolour from top to bottom, and in the
poorer quarters each garret window had its little penny flag, like a
flower in the hair.
On the corner of the Faubourg Montmartre they met a strange
procession. At the head marched a tall old man carrying a flag. He
walked with long strides, free and supple as if he were going to leap
or dance, and the skirts of his overcoat flapped in the wind. Behind
came an indistinct, compact, howling mass, gentle and simple, arm in
arm,--a child carried on a shoulder, a girl's red mop of hair between
a chauffeur's cap and the helmet of a soldier. Chests out, chins
raised, mouths open like black holes, shouting the Marseillaise. To
right and left of the ranks, a double line of jail-bird faces, along
the curbstone, ready to insult any absent-minded passer-by who failed
to salute the colours. Rosine was startled to see her father fall into
step at the end of the line, bare-headed, singing and talking aloud.
He drew his daughter along by the arm, without noticing the nervous
fingers that tried to hold him back.
When they came in Clerambault was still talkative and excited. He kept
on for hours, while the two women listened to him patiently. Madame
Clerambault heard little as usual, and played chorus. Rosine did not
say a word, but she stealthily threw a glance at her father, and her
look was like freezing water.
Public-domain text, read in full here on John Shaqi.
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