Man-woman relationships -- Fiction; Murderers -- Fiction; Short stories
And always he saw the same thing--saw the seat cushion give a little as
though someone had sat down there, next to him.
He saw it now.
"Damn you--damn you----" he cried brokenly.
The motor of the coupé was thrumming, responding to the mechanical
touch of his foot to the starter. The depression in the seat beside him
shifted a little.
"_You'll go back to hell where you came from!_"
Like another person, Gruin heard those words keen from his lips. Like
another person he heard the motor roar into full-throated power as his
foot jammed down on the accelerator.
"No," he breathed, as his hand slid the gear-shift lever into first.
Like another person, pleading, remonstrating--and being unheeded. "No!"
The motor bellowed, the coupé's tires screamed as they felt full and
sudden power applied. The car leaped forward.
"_Oh, my God, no_----"
The car, nearly two tons of steel, hit the concrete wall with all the
power of the great motor, in first gear, behind it--hit the wall,
crumpled, then crunched on through. The thunder of the coupé's crash on
the rock far below shocked the late February afternoon....
* * * * *
Remorse, they called it. Eldon Gruin was so weighed down by the
carelessness that had taken a life that he had gone to the scene of the
accident and committed suicide by driving his car over the same cliff.
That was what was in the papers. What was not in them was something
else; something that puzzled detectives for a while, till they gave it
up as irrelevant, since they had no knowledge of the little red heels
of Maria that had clicked beside Gruin from the time of her death.
That was, the curious thing found in each heel of each shoe that
Eldon Gruin owned--a little sliding weight that had been inserted and
re-covered by some deft cobbler. They didn't move when the shoes were
handled, unless they were shifted briskly up and down as a person
walking would move them. Then they made small clicking noises in unison
with the movements....
Public-domain text, read in full here on John Shaqi.
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