The Abbey of Brantôme on the Dronne (Dep. Dordogne) was originally, like Marmoutier, a cavern monastery, and like those of Marmoutier, the monks waxing fat, they kicked and abandoned the grottoes for a stately structural monastery. The beautiful Romanesque tower of the church stands on top of a rock that is honeycombed with their cells. The church, consisting of nave only, is of marvellous beauty, early pointed, and built on a curve, as there was but little space to spare between the river and the cliffs. Unhappily church and cloister were delivered over to be "restored" by that arch-wrecker, Abbadie, who has done such incalculable mischief in Perigord and the Angoumois, and his hoof-mark is visible here. The monks, not content with a sumptuous Gothic abbey, pulled it down and built one in the baroque style, and had but just completed it when the Revolution broke out "and the flood came and swept them all away." In the court behind this modern structure is to be seen the cliff perforated with caves; it has, however, been cut back to the detriment of these, so that we have them shorn of their faces. Nevertheless they are interesting. The old monolithic chapel of the monastery remains, turned into a pigeonry, and with the steps left that gave access to the pulpit, and two pieces of sculpture on a very large scale, cut out of the living rock. One represents the Crucifixion with SS. Mary and John; the other has been variously explained as the Last Judgment or the Triumph of Death. It perhaps represents the Triumph of Christ over Death. His figure and the kneeling figures of His Mother and the Beloved Disciple were, however, never completed, and remain in the rough. Beneath the figure of Christ is Death, figured by a head surmounted by a crown of bones, and a crest representing a spectre armed with a club. On each side is an angel blowing a trumpet. Below are ranged a dozen heads of popes, bishops, princes, knights, and ladies, in boxes to represent graves. [Illustration: THE TRIUMPH OF CHRIST OVER DEATH Sculpture in the cave monastery of Brantôme. The figure of Christ was never completed. Below is a head crowned with bones, for Death, with Time as crest. Below, in boxes, are the dead, of various degrees.] In the front of this huge piece of sculpture are trestles planted in the ground to support planks to serve as tables when the Brantômois desire to have a banquet and a dance.