Château de Vaux-le-Vicomte (Maincy, France); France -- Social life and customs -- Fiction
CLIO
BY ANATOLE FRANCE
THE WORKS OF ANATOLE FRANCE
IN AN ENGLISH TRANSLATION
»EDITED BY JAMES LEWIS MAY
AND BERNARD MIALL«
A TRANSLATION BY WINIFRED STEPHENS
LONDON: JOHN LANE, THE BODLEY HEAD
NEW YORK: DODD, MEAD AND COMPANY
MCMXXII
TO
EMILE ZOLA
NOTE BY THE EDITORS
_The Château de Vaux le Vicomte_ is a translation of the
text of a sumptuously illustrated volume descriptive of this
wonderful monument of human frailty and ambition, published
in 1888 by Lemercier et Cie with plates by Rodolphe Pfnor.
Although the text has not been published apart from the
plates in France, it seemed only fitting to include a
translation of _The Château de Vaux le Vicomte_ in a
complete edition of Monsieur Anatole France's works.
CONTENTS
CLIO
THE BARD OF KYME
KOMM OF THE ATREBATES
FARINATA DEGLI UBERTI
THE KING DRINKS
"LA MUIRON"
THE CHÂTEAU DE VAUX-LE-VICOMTE
PREFACE
NICOLAS FOUCQUET
THE CHÂTEAU DE VAUX
[Transcribers' Note: to this English translation of Clio we added 12
plates by Mucha, who illustrated the French 1900 edition, which is also
available at Project Gutenberg.]
CLIO
THE BARD OF KYME
Along the hill-side he came, following a path which skirted the sea.
His forehead was bare, deeply furrowed and bound by a fillet of red
wool. The sea-breeze blew his white locks over his temples and pressed
the fleece of a snow-white beard against his chin. His tunic and his
feet were the colour of the roads which he had trodden for so many
years. A roughly made lyre hung at his side. He was known as the Aged
One, and also as the Bard. Yet another name was given him by the
children to whom he taught poetry and music, and many called him the
Blind One, because his eyes, dim with age, were overhung by swollen
lids, reddened by the smoke of the hearths beside which he was wont
to sit when he sang. But his was no eternal night, and he was said
to see things invisible to other men. For three generations he had
been wandering ceaselessly to and fro. And now, having sung all day
to a King of Ægea, he was returning to his home, the roof of which
he could already see smoking in the distance; for now, after walking
all night without a halt for fear of being overtaken by the heat of
the day, in the clear light of the dawn he could see the white Kyme,
his birthplace. With his dog at his side, leaning on his crooked
staff, he walked with slow steps, his body upright, his head held
high because of the steepness of the way leading down into the narrow
valley and because he was still vigorous in his age. The sun, rising
over the mountains of Asia, shed a rosy light over the fleecy clouds
and the hill-sides of the islands that studded the sea. The coast-line
glistened. But the hills that stretched away eastward, crowned with
mastic and terebinth, lay still in the freshness and the shadow of
night.
Public-domain text, read in full here on John Shaqi.
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