Château de Vaux-le-Vicomte (Maincy, France); France -- Social life and customs -- Fiction
"There has been submitted to us the plan and elevation of the building
of the Cathedral Church of Saint-Pierre of Nantes, of which the part
not already constructed is marked in red. This church is one hundred
and eleven feet high from the floor to the keystones of the vaults at
the meeting of the diagonals, and the lower aisles and chapels are
fifty-six feet, measured also from the floor.
"It is desired to finish the said church, and to respect its symmetry
as far as may be, and to make the lower aisles and chapels around the
choir like those which are on the right of the nave.
"The difficulty is that, in order to finish this work, it is necessary
to pull down the walls of the town, and to carry it out into the moat,
and it is desirable to take as little ground as can be, in order not to
diminish too greatly the breadth of the moat. Wherefore it is proposed
to do away with the three chapels behind the choir, marked by the
letter H.
"But, if those three chapels are removed, it will be seen that the
flying buttresses which support the choir will not have the same thrust
as those which support the nave; the strength of these buttresses will
be diminished, and the symmetry of the church destroyed, in a place
where the church is most visible.
"With this plan we send the elevation of the pillars and buttresses to
show how they are constructed in the neighborhood of the nave.
"The whole of this is in order to ascertain whether the three chapels
can be dispensed with, and the safety of the choir and the whole
edifice secured."
To create the estate of Vaux in its prodigious magnificence, it was
necessary to destroy three villages: Vaux-le-Vicomte, with its church
and its mill, the hamlet of Maison-Rouge and that of Jumeau. The
gigantic works which were necessary are hardly imaginable; immense
rocks were carried away; deep canals were excavated.
Foucquet hurried on the work with all the impatience of his intemperate
mind. As early as 1657 the animation which prevailed in the works was
so great that it was spoken of as something immoderate, as though more
befitting royalty. Foucquet felt that it was of importance to conceal
proceedings
The following is in Levau's own hand:--
Public-domain text, read in full here on John Shaqi.
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