Château de Vaux-le-Vicomte (Maincy, France); France -- Social life and customs -- Fiction
Belle-Isle was to him what her milk-pail was to Perrette. He dreamed
of deriving more wealth from it than the whole of Holland from her
ports. Madame de Motteville got wind of these chimerical hopes. "The
friends of Foucquet," wrote this lady, "have said--and apparently they
have told the truth--that the Superintendent, who was indeed capable,
by virtue of his courage and his genius, of many great projects, had
conceived that of building a town the excellent harbour of which was
to attract all the trade of the North, thereby depriving Amsterdam of
these advantages, and rendering a great service to the King and the
State."[21] Foucquet was at this time at the height of his power. In
spite of his motto, he will not rise any higher, unless his constancy
in misfortune may be taken to have raised him above himself, in which
case he may be said to have grown greater in prison by the knowledge of
the vanity of all that had previously attracted him.
But it is the man in his prosperous days, the friend of art and of
literature, Foucquet the magnificent, and Foucquet the voluptuous, whom
we are describing here. No better description can be given of him than
to reproduce the portrait which Nanteuil executed from life.[22]
What do we see there? Large features, eager, charming eyes, in roomy
orbits, the shining pupils of which gleam beneath their lids with an
expression at once of shrewdness and of pleasure. A long, straight
nose, rather thick, a full-lipped mouth beneath a fine moustache;
finally, that smiling expression which he retained even during his
trial. The face is pleasing, but there is something disquieting about
it. The costume is rich; not that of a gallant knight, or of a great
noble, but of a magistrate. A little cap, a broad collar, a dark
robe; the dress of a lawyer, but of a magnificent lawyer; for over
the robe is thrown a sort of dalmatic of Genoa velvet, with a large
flowered pattern. What this portrait does not reproduce is the charm
of the original. Foucquet possessed a sovereign grace; he knew how to
please, to inspire affection. It is true that he possessed a key to all
hearts--access to an inexhaustible treasury. He gave much, but it is
true also that he gave wisely, and he was naturally the most generous
of men.
Public-domain text, read in full here on John Shaqi.
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