But the answer did not satisfy Mary. She continued to look at him as a
mother might look at a naughty child.
"John," she said, "did you--I believe--yes, I know you did. Oh, John!
How could you? What made you do it?"
"Yes, I did, and I'd do it again," said John doggedly. "Do you think I'm
goin' to have the neighbors tormentin' the life out of you on account of
that--"
He stopped short, for a damp towel was against his face, and Mary's bare
arms were around his neck.
"Oh, John! And that was the reason you asked Sally to come back. I've
been feeling so hurt, for I thought it looked as if you didn't care for
me. I might have known better. Please forgive me. I'll never think such
a thing of you again."
There was something damp on the other side of his face now, and reaching
around John drew the tired wife down on the bench beside him and let her
sob out her joy and her weariness on his shoulder.
"But it was a help," she sighed at last, wiping her eyes on her kitchen
apron. "And I don't know how I'm going to do my spring sewing without
it."
John stretched out his right leg, thrust his hand into his pocket, and
pulled out a ragged leather purse, not too well filled.
"What's mine's yours, Mary," he said, tossing it into her lap. "Get a
seamstress to do your sewing. If I catch you at that machine again, I'll
make kindlin' wood and old iron out of it, and if that agent ever comes
on the place again with his blamed charts, there's a loaded shotgun
waitin' for him."
OLD MAHOGANY
"Come in, Maria Marvin, come in. No, it ain't too early for visitors.
I've jest finished sweepin' and dustin', and that's exactly the time I
want to see company; and when company comes at exactly the right time,
they get a double welcome from me. Have this chair, and I'll lay your
bonnet right here on the table.
"Yes, I've been refurnishin' some. Got rid o' all the old plunder that
'd been accumulatin' under this roof ever since Noah built his ark, and
bought a spick and span new outfit, golden oak every bit of it, and
right up to day before yesterday, and to-day, and day after to-morrow,
when it comes to style. I reckon Mother and grandmother and
great-grandmother have turned over in their graves, but I can't help it.
That old mahogany furniture has been my cross, and I've borne it
faithfully from a child up, and when I saw a chance o' layin' it down, I
didn't stop to think what my ancestors would say about it; I jest
dropped the cross and drew one good, long breath.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account