Clubfoot the Avenger: Being some further adventures of Desmond Oakwood, of the Secret ServiceWilliams, Valentine
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Clubfoot the Avenger: Being some further adventures of Desmond Oakwood, of the Secret Service
Williams, Valentine
English fiction -- 20th century; Spy stories
And over the tea-cups in that tranquil room, while outside the cars and
taxis purred and hooted up and down the slope of Saint James’s Street,
she told her story. Long before she had done, Desmond, nursing his knee,
his eyes fixed on the speaker’s face, had let his cigarette go out as it
dangled from his lips.
“I expect your brother has told you,” she said, “that I’m a collector of
enamels. I guess it’s a kind of hobby of mine. Every time a special
piece comes up for sale in London or Paris or Vienna, one of the dealers
is pretty sure to notify me, and if it’s any way possible, I go along
and see it.
“Well, the other day a dealer friend of mine called me on the ’phone and
told me that a Russian ikon—you know, one of these sacred pictures you
see in Russian homes and churches—was to be sold at Blackie’s. It was a
beautiful piece, he said, with the figures of the Madonna and Child in
green-and-blue enamel under a silver sheeting—probably twelfth or
thirteenth century work. He thought it would fetch under a hundred
pounds and wanted to bid for me. But I like auctions and I said I’d go
myself. I went into Blackie’s the day before the sale and fell in love
with the ikon at once. It was quite small, not above about nine inches
by six, I guess, and heavy for its size, the silver covering cut out so
as to show the enamel figures underneath—you know the way it is—black
with age.
“Well, yesterday was the day of the sale, and Süsslein, my little
dealer, went along with me. The ikon was part of the collection of some
Russian Count—I forget the name—one of the _émigrés_ from the Russian
Revolution who had served with Denikin against the Bolsheviks. We sat
there all through the afternoon and by the time the ikon came up the
hall was three-quarters empty.
“One of the dealers started the bidding at ten guineas, and between
three or four of us we ran it up to seventy-five. Then the others began
to drop out, and by the time we’d got to a hundred there were only three
of us left—Harris, who buys for Lord Boraston, me, and a funny-looking
little runt of a man with a grey chin-beard and spectacles. He wasn’t
one of the ordinary dealers, so I sent Süsslein to find out just who he
was. When he came back he whispered to me he was a man called Achille
Saumergue, who was believed to be a Frenchman. Nobody had ever seen him
before.
“At two hundred guineas we topped Harris’s limit, and he passed away,
leaving me and old Saumergue to it. He and I kept on quietly tossing the
ball to and fro until—I’m cutting this all short, you know—I brought him
up all standing with an advance of fifty guineas on his three hundred
and fifty. I jumped the price up a bit because Hermann, the auctioneer,
who’s an old friend of mine, kept looking at the clock, and I knew the
poor man was dying to shut down and go home.
Public-domain text, read in full here on John Shaqi.
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