Clubfoot the Avenger: Being some further adventures of Desmond Oakwood, of the Secret ServiceWilliams, Valentine
General
Clubfoot the Avenger: Being some further adventures of Desmond Oakwood, of the Secret Service
Williams, Valentine
English fiction -- 20th century; Spy stories
That a most violent and desperate struggle had gone forward was
abundantly evident from the state of the sitting-room, which, as
Farandol was careful to point out, was exactly as the police had
discovered it. The black carpet was rucked up, and athwart it, in a mess
of crushed petals and broken glass, the remains of a vase of daffodils
was scattered. A string of crystal beads which the dead girl had been
wearing had broken, and the beads, together with a number of hairpins,
strewed the floor. The telltale clock, of which Bannington had spoken,
had been retrieved and now stood upon the table beside the typewriter—a
small French travelling-clock in a leather case. The glass was broken.
They noticed that, as Bannington had said, the hands pointed at sixteen
minutes past eight.
Farandol tapped the clock. “This is what is going to hang Master
Hollingway,” he remarked.
“Humph,” commented Desmond. “That won’t bring us what we’re looking for,
Inspector. I suppose you know what I mean?”
Farandol nodded impressively. “Aye. But he’s got rid of it by now, mark
my words. He’s one of your deep ones is Master Hollingway. He thought
he’d draw a red herring across the scent. Look at this room and the
bedroom beyond! He’s even upset the flour-bins in the kitchen!”
The rooms were, indeed, in a state of remarkable confusion. In the
sitting-room the sloping top of a little mahogany escritoire had been
burst open and every drawer pulled out. The doors of the oaken buffet
stood wide, and its contents, crockery and table linen, were in part
spilled out on the carpet. In the bedroom a high-boy had been rifled and
garments of all kinds flung about the room. The very bed had been pulled
out from the wall, the bedclothes rolled up in a ball and the mattress
dragged on one side.
“And all the time,” Farandol resumed, “this precious document was lying
there beside the typewriter! All this”—he waved a contemptuous hand at
the disordered room—“play-acting is meant to bolster up his story about
the footstep on the back stair . . .”
“He’s made a statement, then?” queried Desmond. “I suppose he denies
everything?”
“He’s the innocent babe all right, same as they all are at the first
go-off,” observed Farandol, fingering his waxed moustache. “Briefly, his
story is that he met Miss Bardale in Soho for dinner at a quarter to
seven. They had arranged to dine early because of this work that the
lady had to do. Hollingway brought her back shortly after eight, and, he
says, escorted her upstairs as far as the door of her flat because she
was feeling nervous. On the previous evening—according to what this
Hollingway says she told him—she had heard a heavy step outside her
kitchen on the back stairs . . .”
“Half a minute,” Desmond interrupted; “is there a back entrance? I
didn’t notice it . . .”
Public-domain text, read in full here on John Shaqi.
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