Carriages and carts; Coach horses; Coaching (Transportation)
There is a
pleasure in overcoming obstacles; mere action is something; imagination
is more; and the spinning of the blood, and vivacity of the mental
endeavour, act well upon one another, and gradually put you in a state
of robust consciousness and triumph. Every time you set down your leg
you have a respect for it. The umbrella is held in the hand like a
roaring trophy.
We are now reaching the country: the fog and rain are over; and we meet
our old friends the watchmen, staid, heavy, indifferent, more coat than
man, pondering, yet not pondering, old but not reverend, immensely
useless. No; useless they are not; for the inmates of the houses think
them otherwise, and in that imagination they do good. We do not pity
the watchmen as we used. Old age often cares little for regular sleep.
They could not be sleeping perhaps if they were in their beds; and
certainly they would not be earning. What sleep they get is perhaps
sweeter in the watch-box,--a forbidden sweet; and they have a sense of
importance, and a claim on the persons in-doors, which, together with
the amplitude of their coating, and the possession of the box itself,
make them feel themselves, not without reason, to be "somebody." They
are peculiar and official. Tomkins is a cobbler as well as they; but
then he is no watchman. He cannot speak to "things of night;" nor bid
"any man stand in the king's name." He does not get fees and gratitude
from the old, the infirm, and the drunken; nor "let gentlemen go;" nor
is he "a parish-man." The churchwardens don't speak to him. If he put
himself ever so much in the way of "the great plumber," he would not
say, "How do you find yourself, Tomkins?"--"An ancient and quiet
watchman." Such he was in the time of Shakespeare, and such he is now.
Ancient, because he cannot help it; and quiet, because he will not help
it, if possible; his object being to procure quiet on all sides, his own
included. For this reason he does not make too much noise in crying the
hour, nor is offensively particular in his articulation. No man shall
sleep the worse for him, out of a horrid sense of the word "three." The
sound shall be three, four, or one, as suits their mutual convenience.
Yet characters are to be found even among watchmen. They are not all
mere coat, and lump, and indifference. By-the-way, what do they think of
in general? How do they vary the monotony of their ruminations from one
to two, and from two to three, and so on? Are they comparing themselves
with the unofficial cobbler; thinking of what they shall have for dinner
to-morrow; or what they were about six years ago; or that their lot is
the hardest in the world, as insipid old people are apt to think, for
the pleasure of grumbling; or that it has some advantages nevertheless,
besides fees; and that if they are not in bed, their wife is?
Public-domain text, read in full here on John Shaqi.
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