Cobb's Bill-of-FareCobb, Irvin S. (Irvin Shrewsbury)
General
Cobb's Bill-of-Fare
Cobb, Irvin S. (Irvin Shrewsbury)
Essays; Wit and humor
That is the orthodox offering for a bass. The basses of the world have
always used it, I believe, and generally to advantage. From what I have
been able to ascertain I judge that it was first written for use on the
Ark. Shem sang it probably. If there is anything in this doctrine of
heredity Ham specialized in banjo solos and soft-shoe dancing, and
Japhet, I take it, was the tenor--he certainly had a tenor-sounding kind
of a name. So it must have been Shem, and undoubtedly he sang it when
the animals were hungry, so as to drown out the sounds of their
roaring.
So this, his descendant--this chip off the old cheese, as it
were--stands up on the platform facing you, with his chest well extended
to show his red suspender straps peeping coyly out from the arm openings
of his vest, and he inserts one hand into his bosom, and over and over
again he tells you that he now contemplates laying himself down in peace
to sleep--which is more than anybody else on the block will be able to
do; and he rocks you in the cradle of the deep until you are as seasick
as a cow. You could stand that, maybe, if only he wouldn't make faces at
you while he sings. Some day I am going to take the time off to make
scientific research and ascertain why all bass singers make faces when
they are singing. Surely there's some psychological reason for this, and
if there isn't it should be stopped by legislative enactment.
When Sing-Bad the Sailor has quit rocking the boat and gone ashore, a
female singer generally obliges and comes off the nest after a merry
lay, cackling her triumph. Then there is something more of a difficult
and painful nature on the piano; and nearly always, too, there is a
large lady wearing a low-vamp gown on a high-arch form, who in
flute-like notes renders one of those French ballads that's full of
la-las and is supposed to be devilish and naughty because nobody can
understand it. For the finish, some person addicted to elocution usually
recites a poem to piano accompaniment. The poem Robert of Sicily is much
used for these purposes, and whenever I hear it Robert invariably has my
deepest sympathy and so has Sicily. Toward midnight a cold collation is
served, and you recapture your hat and escape forth into the starry
night, swearing to yourself that never again will you permit yourself to
be lured into an orgy of the true believers.
Public-domain text, read in full here on John Shaqi.
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