Cobb's Bill-of-FareCobb, Irvin S. (Irvin Shrewsbury)
General
Cobb's Bill-of-Fare
Cobb, Irvin S. (Irvin Shrewsbury)
Essays; Wit and humor
On the other hand, grand opera does not appeal to me. I can enthuse over
the robin's song in the spring, and the sound of the summer wind
rippling through the ripened wheat is not without its attractions for
me; but when I hear people going into convulsions of joy over Signor
Massacre's immortal opera of Medulla Oblongata I feel that I am out of
my element and I start back-pedaling. Lucy D. Lammermore may have been a
lovely person, but to hear a lot of foreigners singing about her for
three hours on a stretch does not appeal to me. I have a better use for
my little two dollars. For that amount I can go to a good minstrel show
and sit in a box.
You may recall when Strauss' Elektra was creating such a furor in this
country a couple of years ago. All the people you met were talking about
it whether they knew anything about it or not, as generally they didn't.
I caught the disease myself; I went to hear it sung.
I only lasted a little while--I confess it unabashedly--if there is such
a word as unabashedly--and if there isn't then I confess it
unashamedly. As well as a mere layman could gather from the opening
proceedings, this opera of Elektra was what the life story of the Bender
family of Kansas would be if set to music by Fire-Chief Croker. In the
quieter moments of the action, when nobody was being put out of the way,
half of the chorus assembled on one side of the stage and imitated the
last ravings of John McCullough, and the other half went over on the
other side of the stage and clubbed in and imitated Wallace, the
Untamable Lion, while the orchestra, to show its impartiality, imitated
something else--Old Home Week in a boiler factory, I think. It moved me
strangely--strangely and also rapidly.
Taking advantage of one of these periods of comparative calm I arose and
softly stole away. I put a dummy in my place to deceive the turnkeys and
I found a door providentially unlocked and I escaped out into the night.
Three or four thousand automobiles were charging up and down Broadway,
and there was a fire going on a couple of blocks up the street, and I
think a suffragette procession was passing, too; but after what I'd
just been through the quiet was very soothing to my eardrums. I don't
know when I've enjoyed anything more than the last part of Elektra, that
I didn't hear.
Public-domain text, read in full here on John Shaqi.
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