Bankers -- Fiction; Christian life -- Fiction; Fraud -- Fiction; Fugitives from justice -- Fiction
Produced by Barbara Tozier, Bill Tozier, Mary Meehan and
the Online Distributed Proofreading Team at
http://www.pgdp.net
COBWEBS
AND
CABLES.
BY
HESBA STRETTON,
AUTHOR OF "THROUGH A NEEDLE'S EYE," "IN PRISON AND OUT," "BEDE'S
CHARITY," ETC.
NEW YORK: DODD, MEAD & COMPANY, PUBLISHERS.
_AUTHOR'S CARD._
_It is my wish that Messrs. Dodd, Mead & Company alone should publish
this story in the United States, and I appeal to the generosity and
courtesy of other Publishers, to allow me to gain some benefit from my
work on the American as well as English side of the Atlantic._
_HESBA STRETTON._
CONTENTS.
PART I.
CHAPTER
I. ABSCONDED
II. PHEBE MARLOWE
III. FELICITA
IV. UPFOLD FARM
V. A CONFESSION
VI. THE OLD BANK
VII. AN INTERRUPTED DAY-DREAM
VIII. THE SENIOR PARTNER
IX. FAST BOUND
X. LEAVING RIVERSBOROUGH
XI. OLD MARLOWE
XII. RECKLESS OF LIFE
XIII. SUSPENSE
XIV. ON THE ALTAR STEPS
XV. A SECOND FRAUD
XVI. PARTING WORDS
XVII. WAITING FOR THE NEWS
XVIII. THE DEAD ARE FORGIVEN
XIX. AUTHOR AND PUBLISHER
XX. A DUMB MAN'S GRIEF
XXI. PLATO AND PAUL
XXII. A REJECTED SUITOR
XXIII. ANOTHER OFFER
XXIV. AT HOME IN LONDON
XXV. DEAD TO THE WORLD
PART II.
CHAPTER
I. AFTER MANY YEARS
II. CANON PASCAL
III. FELICITA'S REFUSAL
IV. TAKING ORDERS
V. A LONDON CURACY
VI. OTHER PEOPLE'S SINS
VII. AN OLD MAN'S PARDON
VIII. THE GRAVE AT ENGELBERG
IX. THE LOWEST DEEPS
X. ALICE PASCAL
XI. COMING TO HIMSELF
XII. A GLIMPSE INTO PARADISE
XIII. A LONDON GARRET
XIV. HIS FATHER'S SIN
XV. HAUNTING MEMORIES
XVI. THE VOICE OF THE DEAD
XVII. NO PLACE FOR REPENTANCE
XVIII. WITHIN AND WITHOUT
XIX. IN HIS FATHER'S HOUSE
XX. AS A HIRED SERVANT
XXI. PHEBE'S SECRET
XXII. NEAR THE END
XXIII. THE MOST MISERABLE
XXIV. FOR ONE MOMENT
XXV. THE FINAL RESOLVE
XXVI. IN LUCERNE
XXVII. HIS OWN CHILDREN
XXVIII. AN EMIGRATION SCHEME
XXIX. FAREWELL
XXX. QUITE ALONE
XXXI. LAST WORDS
COBWEBS AND CABLES
PART I.
CHAPTER I.
ABSCONDED.
Late as it was, though the handsome office-clock on the chimney-piece
had already struck eleven, Roland Sefton did not move. He had not
stirred hand or foot for a long while now; no more than if he had been
bound fast by many strong cords, which no effort could break or untie.
His confidential clerk had left him two hours ago, and the undisturbed
stillness of night had surrounded him ever since he had listened to his
retreating footsteps. "Poor Acton!" he had said half aloud, and with a
heavy sigh.
As he sat there, his clasped hands resting on his desk and his face
hidden on them, all his life seemed to unfold itself before him; not in
painful memories of the past only, but in terrified prevision of the
black future.
Public-domain text, read in full here on John Shaqi.
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