Bankers -- Fiction; Christian life -- Fiction; Fraud -- Fiction; Fugitives from justice -- Fiction
"I will meet him there," she said. But she asked Phebe no questions, and
did not tell her where she was to meet her husband.
CHAPTER XI.
OLD MARLOWE.
Life had put on for Phebe a very changed aspect. The lonely farmstead on
the uplands had been till now a very happy and tranquil home. She had
had no sorrow since her mother died when she was eight years of age, too
young to grieve very sorely. On the other hand, she was not so young as
to require a woman's care, and old Marlowe had made her absolute
mistress of the little home. His wife, a prudent, timid woman, had
always repressed his artistic tendencies, preferring the certainty of
daily bread to the vague chances of gaining renown and fortune. Old
Marlowe, so marred and imperfect in his physical powers, had submitted
to her shrewd, ignorant authority, and earned his living and hers by
working on his little farm and going out occasionally as a carpenter.
But when she was gone, and his little girl's eyes only were watching him
at his work, and the child's soul delighted in all the beautiful forms
his busy hands could fashion, he gave up his out-door toil, and, with
all the pent-up ardor of the lost years, he threw himself absorbingly
into the pleasant occupation of the present. Though he mourned
faithfully for his wife, the woman who had given to him Phebe, he felt
happier and freer without her.
Phebe's girlhood also had been both free and happy. All the seasons had
been sweet to her: dear to her was "the summer, clothing the general
earth with greenness," and the winter, when "the redbreast sits and
sings be-twixt the tufts of snow on the bare branch of the mossy
apple-tree." She had listened to "the eave-drops falling in the trances
of the blast," and seen them "hang in silent icicles, quietly shining to
the quiet moon." There had been no change in nature unnoticed or
unbeloved by her. The unbroken silence reigning around her, heightened
by the mute speech between herself and her father, which needed eyes
only, not lips, had grown so familiar as to be almost dear to her, in
spite of her strong delight in fellowship with others. The artistic
temperament she had inherited from her father, which very early took
vivid pleasure in expressing itself in color as well as in form, had
furnished her with an occupation of which she could never tire. As long
as there was light in the sky, long after the sun had gone down, in the
lingering twilight, loath to forsake the uplands, she was at her canvas
catching the soft gray tones, and dim-colored tints, and clearer masses
of foliage, which only the evening could show.
Public-domain text, read in full here on John Shaqi.
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