On a farm near the cure's house in Cideville was another shepherd,
named Thorel, a man of forty, described as dull, illiterate, and
given to boasting about his powers as a disciple of the venerable G.
Popular opinion decided that G. employed Thorel to procure his
vengeance; it was necessary that a sorcerer should _touch_ his
intended victim, and G. had not the same conveniency for doing so as
Thorel. In old witch trials we sometimes find the witch kissing her
destined prey. {277} Thorel, so it was said, succeeded in touching,
on Nov. 25, 1850, M. Tinel's two pupils, in a crowd at a sale of
wood. The lads, of fifteen and twelve, were named Lemonier and
Bunel. For what had gone before, we have, so far, only public
chatter, for what followed we have the sworn evidence in court of
the cure's pupils, in January and February, 1851. According to
Lemonier, on Nov. 26, while studying, he heard light blows of a
hammer, these recurred daily, about 5. p.m. When M. Tinel, his
tutor, said plus fort, the noises were louder. To condense evidence
which becomes tedious by its eternal uniformity, popular airs were
beaten on demand; the noise grew unbearable, tables moved untouched,
a breviary, a knife, a spit, a shoe flew wildly about. Lemonier was
buffeted by a black hand, attached to nobody. 'A kind of human
phantasm, clad in a blouse, haunted me for fifteen days wherever I
went; none but myself could see it.' He was dragged by the leg by a
mysterious force. On a certain day, when Thorel found a pretext for
visiting the house, M. Tinel made him beg Lemonier's pardon, clearly
on the ground that the swain had bewitched the boy. 'As soon as I
saw him I recognised the phantasm which had haunted me for a
fortnight, and I said to M. Tinel: "There is the man who follows
me".' Thorel knelt to the boy, asked his pardon, and pulled
violently at his clothes. As defendant, perhaps, the cure could not
be asked to corroborate these statements. The evidence of the other
boy, Bunel, was that, on Nov. 26, he heard first a rush of wind,
then tappings on the wall. He corroborated Lemonier's testimony to
the musical airs knocked out, the volatile furniture, and the
recognition in Thorel of the phantom. 'In the evening,' said Bunel,
'Lemonier en eut une crise de nerfs dans laquelle il avait perdu
connaissance.'
Public-domain text, read in full here on John Shaqi.
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