the prime and manhood of his intellect" on the _Morning Post_ and the _Courier_; but latter-day judgment, while acknowledging the high quality of some of his journalistic work, cannot accept the statement, which is yet another example of poetic licence. Modern Fleet Street does not treat erratic contributors as patiently or liberally as Stuart treated Coleridge; the rapid march of events and the stress of competition alike forbid. When he gave up his regular work on the papers he stayed for some weeks with Lamb at Pentonville, then went to Stowey, and from there to Dove Cottage. The translation from Schiller, on which he had been engaged, was now finished. From Dove Cottage he moved to Greta Hall, near Keswick, a semi-detached house some twelve miles or so from the Wordsworths. His landlord, who lived next door, was the possessor of a good library. Neighbours called upon the new-comer and offered hospitality, for his work had already attracted some attention. "Christabel" was finished, but when the two volumes of _Lyrical Ballads_ were published in January 1801, Coleridge had not fulfilled his promise in regard to them. He was busy promising volumes, still unwritten, to publishers, he was anticipating his allowance from the Wedgwoods, and nursing an attack of rheumatic fever. With the road clear before him, with a certain market for his work, he was paying tribute to "the thief of time." If at length he wrote, his writing took the form of long and brilliant letters to private friends. For relief from physical pain he was indulging in opium. The year 1801 is full of complaints and of direct or indirect appeals for money. In April 1802 came the famous "Ode to Dejection"; if space permitted it should be quoted here, for, in a couple of hundred lines, Coleridge has penned a picture of his own mental state that none can pass by with indifference, or without compassion. Not only were there monetary worries and the trouble of a mind diseased at this early period of the poet's uneasy life; there was also domestic unhappiness. The breach between the poet and his wife, already of long standing, was now serious, and he sought solace from his troubles not at Greta Hall but at Grasmere; his harmless devotion to Dorothy Wordsworth giving offence, not unnaturally, to his wife. The following year was uneventful. Coleridge was intensely unhappy at Keswick, though he had the pleasure of a visit from Charles and Mary Lamb in August. Later, he went on a tour with his patrons, the Wedgwoods, and stayed with them for a time in their country house, sending a few papers to the patient Stuart the while. Thomas Wedgwood was inclined to trifle with drugs, so he was at best a dangerous companion for Coleridge.