Of all the men whose work was completed between the middle of the
eighteenth and nineteenth centuries there are few, if any, whose life is
of more interest to the psychologist, the student of transcendentalism,
and the lover of fine thought, than that of Samuel Taylor Coleridge, the
subject of this brief study. He was compact of remarkable strength and
fatal weakness, of rare attainments and incomplete achievement, of
courage and cowardice, of energy and laziness, of reason and unreason,
of airy wit and solid wisdom. Look upon one side of his life and
accomplishment and you are lost in wonder and admiration, look upon the
other and there is food for little but pity and regret. Modern teaching
has revealed the narrowness of the boundary between genius and insanity,
and, in the light of this knowledge, we see that Coleridge was neither
wholly a genius nor wholly sane, though he approached either condition
very nearly at different periods of his troubled life. We would hesitate
to-day to condemn him with the severity and fluency shown by his
contemporaries--by Thomas de Quincey and William Hazlitt, for example.
Perhaps the first thought to which a study of his life and work gives
birth is the nearest to the truth, the thought that he was singularly
unfitted to cope with life as he found it, that he was essentially a man
of thought rather than of action. He was never strong enough to bear the
thousand ills that writing man is heir to. He lacked courage, method,
order; one might add that he lacked diligence, but for the knowledge
that no man can move in advance of his inspiration if he would be just
to himself. Even though his pen was idle his brain was ever active; his
failure lay in lack of will-power to do full justice to its activity.
Public-domain text, read in full here on John Shaqi.
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