the lines "To a Beautiful Spring in a Village," and "On an Autumnal
Evening" exhibit the mood of a young man to whom Nature is beginning to
reveal some of the secrets of her immortal charm, but there are none of
the distinctive thoughts that a Keats or a Wordsworth would have given
us under the stress of similar emotion, so we may presume that neither
half-remembered Ottery St. Mary, nor Christ's Hospital, nor even Jesus
College, Cambridge, had served to string the poet's lyre. Out of the
superabundant gift of expression and the long course of varied reading,
certain emotions had proceeded, but they are never the emotions of a
poet of Nature. The early verses that Coleridge contributed to the
_Morning Post_ include adaptations from the classics. The "Lines to a
Nightingale" (1795) are inspired by Sarah Fricker, and she too comes
into the far better compositions of the same year, "Lines composed while
climbing the left ascent of Brackley Coomb, Somersetshire," written when
Coleridge was dallying with Pantisocracy in company with Burnett and
Southey. The maythorn, yew, and elm are the only trees he notices, and
cuckoo the only bird. The "Æolian Harp," written in the same year, is
inspired too by Sarah Fricker, and it must be remembered that Coleridge
was then twenty-three, when the best and worst men are guilty of writing
verse in which the inspiration felt is quite out of proportion to the
thought expressed. Perhaps "Reflection on having left a Place of
Retirement" strikes the pastoral and rural note most clearly. The "place
of retirement" was the little cottage at Clevedon he found after
marriage. The lines seem to be a record of the honeymoon. They are
happy and speak of a certain resolution that had yet to be undermined:
"Ah! quiet dell! dear cot, and mount sublime!
I was constrained to quit you. Was it right
While my unnumbered brethren toiled and bled,
That I should dream away the entrusted hours
On rose-leaf beds, pampering the coward heart
With feelings all too delicate for use?
I therefore go, and join head, heart, and hand
Active and firm, to fight the bloodless fight
Of science, freedom, and the truth in Christ."
Public-domain text, read in full here on John Shaqi.
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