Hazlitt is suspect, on insufficient evidence, of having reviewed "Christabel" harshly in the _Edinburgh Review_ and the _Examiner_; but the _Quarterly Review_ found that its success in dealing with "witchery by daylight" is complete. It is a matter for regret that the interest taken in the "Ancient Mariner" and in fragments like "Kubla Khan" and "Christabel" has been at the expense of poems like the "Ode to Dejection" and smaller pieces, gems of poetic thought, finely expressed. As time wore on, the realities of life divorced the poet's muse, now quite a minor quantity, from its union with classicism, to the great advantage of his work, and though he cannot be said to have fulfilled the promise of his best years, he wrote much that his admirers will not willingly let die. One would perhaps hesitate to call it poetry--the work he wrote between his twenty-third and twenty-seventh years was poetry in the fullest sense of the term--it is rather philosophy expressed in set forms with a measure of charm that can never be absent long from any utterance of Coleridge. It may perhaps be suggested that the poetic genius in Coleridge needed nursing, and failed to get what it required; to a certain extent such a theory is permissible. We have to remember, in the first place, that his health was bad from youth. He was very susceptible to rheumatism; before middle age he was a martyr to gout; he could not endure extreme cold; and yet he elected to go and live at Greta Hall, in the Vale of Derwentwater, where the rain it raineth nearly every day, and strong harsh winds are the rule rather than the exception. These surroundings confirmed and strengthened the opium habit. To make matters worse, his home life was not of the kind that makes for poetry. Mrs. Coleridge was in many respects a deserving and worthy lady, but she had grave limitations. With things of the intellect she was not on any terms, however remote, and she had a weakness that is said to extend to others of her sex--she worried incessantly about trifles. Reading closely the history of the unhappy married life that involved husband and wife in so much trouble, the mistake of marrying the wrong woman may be condoned. To the overstrung "philosopher in a mist," as he describes himself in one of his earliest letters from Greta Hall, a querulous wife who found small grievances everywhere, who judged her husband's talent from the standpoint of what it brought in from the publishers, must have been a sore trial. In the same way, for the sake of justice, let us admit that the man who was always ready to undertake work that he could never be prevailed upon to begin, who was erratic, intemperate, and wholly unreliable, must have been a sore trouble to any woman who could not appreciate his gifts, and could discern nothing in the future save an increasing family and a diminishing income. But whatever the proper apportionment of praise or blame, one fact remains. At Greta Hall the