England -- Fiction; Gay men -- Fiction; Italy -- Fiction; Paranormal fiction
All that week and the two that followed Stanier outvied itself--for
indeed there was no other competitor--in the splendour of its
hospitalities. The great houses of England were now, for the most part,
shut up, and the owners, crippled by the ruinous taxation, only lived in
small corners of them, like picnicking tourists. Those who were
fortunate let them to Americans or Argentines, preferring, like sensible
folk, to live in comfort in smaller houses, rather than shiver in
palaces they could not afford to warm, and which, after all, were very
desolate abodes unless they were full of the life and merriment of
guests. They sold their pictures, for who could afford to look at a
Reynolds which hung unharvested on the walls, and not reap it into five
hundred a year? They sold tapestries and ivories and plate; whatever
could be alienated and turned into cash went to Christie’s, and, like
some monstrous insatiable reptile, America, gorged already with the gold
of Europe, spat a little of it out, and took some Majolica or some
Beauvais tapestry instead. Lucky indeed were the impoverished landowners
of England to find in their kinsmen across the Atlantic this delightful
illusion that living in a castle conveyed culture, and to have somebody
else’s family pictures on the walls quickened the ancestral sense, and
that to eat off Caroline plate was like a course of history lectures....
Of hospitality as a kindly and sociable virtue, Colin had no opinion at
all, that side of it did not concern him. Nor again did he in the least
care, in itself, for mere lavish ostentation: he would just as soon, as
far as personal inclination went, have had Stanier empty and serene in
its established security as swarming with guests, some of whom he
scarcely knew by sight, and for none of whom had he any real affection.
Nor did the presence of two Royal personages, who had come down for
three days directly after Easter, and found that they were able to
honour him and Violet by staying for a week, give him any thrill of
satisfaction. It was a matter of complete indifference to him whether
they came or not, or whether they were so much amused that they stopped
longer than they had intended. But what was to the point was that
Stanier should carry on its tradition for magnificent entertainment, for
that belonged to it, just as its legend did. It might be a deplorable
waste of money, yielding an infinitesimal dividend of pleasure on the
capital expended, but that could not be helped. Everything that could be
procured to give gorgeousness must be there; one night, the Russian
ballet danced on the enclosed terrace, and another there was a concert;
whatever the diversion was, it was a matter of course that his guests
should be thus amused for an hour or two, and it was Stanier that gave
the _cachet_ to the entertainment more than the artists.
Public-domain text, read in full here on John Shaqi.
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