The advent of a new family into the country was an important event, and especially when a beautiful young lady formed a part of it. The families of Joel Helvey and Jason Plummer became neighborly at once, visiting back and forth with the friendly intimacy characteristic of all pioneers. Paths were soon worn over the divide between Joel Helvey's ranch on the Little Sandy and the Plummer home on Swan creek, and one of Joel's boys was accused of making clandestine rambles in that direction. Certain it was that many of the young men who asked Eleanor for her company to the dances were invariably told that Frank Helvey had already spoken. Their dejection was explained in the vernacular of the time--they had "gotten the mitten." The music for the dances was furnished by the most energetic fiddlers in the land, and the art of playing "Fisher's Hornpipe," "Devil's Dream," and "Arkansaw Traveler" in such lively, triumphant tones of the fiddle as played by Joe Baker and Hiram Helvey has been lost to the world. Sometimes disputes were settled either before or after the dance by an old-fashioned fist fight. In those days the accepted policy was that if you threshed your adversary soundly, the controversy was settled--there was no further argument about it. At one dance on the Little Sandy some "boys" from the Blue decided to "clear out" the ranchers before the dance, and in the lively melee that followed, Frank Helvey inadvertently got his thumb in his adversary's mouth; and he will show you yet a scar and cloven nail to prove this story. The ranchers more than held their own, and after the battle invited the defeated party to take part in the dance. The invitation was accepted and in the morning all parted good friends. On August 6, 1864, the Overland stage, which had been turned back on its way to the west, brought news that the Sioux and Cheyenne were on the warpath. They had massacred entire settlements on the Little Blue and along the trail a few miles west, and were planning to kill every white person west of Beatrice and Marysville. For some time the friendly old Indians had told Joel Helvey that the young men were chanting the old song: "Some day we shall drive the whites back Across the great salt water Whence they came; Happy days for the Sioux When the whites go back." Little attention had been paid to these warnings, the Helvey family believing they could take care of themselves as they had during the past eighteen years in the Indian country. But the report brought by the stage was too alarming to be disregarded; and the women asked to be taken to a place of safety.