=Rolling up.=—Apply the inking roller with light pressure to the
nearest edge of the plate, and roll backwards and forwards over its
surface several times; an experienced printer will at once perceive the
condition of the surface. For the first inking a stiffish ink should be
used, as the plate will not then so readily become dirty. By repeated
rolling in different directions, and what is of equal importance,
with varying pressure, endeavour to distribute the ink with perfect
evenness, and with a view of producing a clear and vigorous inking,
which will yield a similar perfect impression. It should be remembered
that
1. A slow rolling with heavy pressure deposits ink on the plate; and
2. Light and quick rolling removes the ink from the print layer.
By modifying the treatment of the plate, and varying the application
of the roller and damping solution, an experienced printer will
demonstrate his power of producing from the same plate flat, weak, and
unsatisfactory impressions, or prints as clear and vigorous as may
be desired. The first application of the ink having been made with a
leather roller, it should be distributed, and the half-tones improved
by the application of a smooth roller, preferably of glue composition.
Without this second inking, it will be found impossible to produce the
highest results in half-tone.
=The Second, or Composition Roller=, must be lightly charged with ink
considerably thinner than that applied in the first instance, the
remarks concerning the pressure applied to the leather roller applying
with equal force in this case. By light, quick rolling, the ink is
partially removed from the plate, while heavier pressure and slower
movement will deposit ink and strengthen the shadows.
When the inking is complete, the frame with the mask is placed in
position. The printing paper, which may be either strong, well-sized
letter-paper, thin cardboard, or the paper known in the trade as “dull
enamel,” cut to a suitable size, is adjusted over the mask, and backed
with a couple of thicknesses of smooth paper. This again is covered,
with the tympan attached to its frame. Push the bed of the press so far
under the scraper that the latter, when pressure is applied, will nip
the plate about one centimetre from the commencement of the picture.
This position has to be ascertained by trial before covering with the
second or tympan frame.
Public-domain text, read in full here on John Shaqi.
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