Colonel Carter of CartersvilleSmith, Francis Hopkinson
General
Colonel Carter of Cartersville
Smith, Francis Hopkinson
Virginia -- Fiction
It is always one of my delights to watch the colonel as he busies
himself about the room, warming a big chair for his guests, punching
the fire, brushing the sparks from the pile of plates, and testing the
temperature of the claret lovingly with the palms of his hands.
He is perhaps fifty years of age, tall and slightly built. His iron
gray hair is brushed straight back from his forehead, overlapping his
collar behind. His eyes are deep-set and twinkling; nose prominent;
cheeks slightly sunken; brow wide and high; and chin and jaw strong
and marked. His moustache droops over a firm, well-cut mouth and unites
at its ends with a gray goatee which rests on his shirt front.
Like most Southerners living away from great cities his voice is soft
and low, and tempered with a cadence that is delicious.
He wears a black broadcloth coat,--a double-breasted garment,--with
similar colored waistcoat and trousers, a turn-down collar, a shirt
of many plaits which is under-starched and over-wrinkled but always
clean, large cuffs very much frayed, a narrow black or white tie, and
low shoes with white cotton stockings.
This black broadcloth coat, by the way, is quite the most interesting
feature of the colonel's costume. So many changes are constantly made
in its general make-up that you never quite believe it is the same
ill-buttoned, shiny garment until you become familiar with its
possibilities.
When the colonel has a funeral or other serious matter on his mind,
this coat is buttoned close up under his chin showing only the upper
edge of his white collar, his gaunt throat and the stray end of a black
cravat. When he is invited to dinner he buttons it lower down, revealing
as well a bit of his plaited shirt, and when it is a wedding this old
stand-by is thrown wide open discovering a stiff, starched, white
waistcoat with ivory buttons and snowy neck-cloth.
These several make-ups used once to surprise me, and I often found
myself insisting that the looseness and grace with which this garment
flapped about the colonel's thin legs was only possible in a brand-new
coat having all the spring and lightness of youth in its seams. I was
always mistaken. I had only to look at the mis-mated buttons and the
raveled edge of the lining fringing the tails. It was the same coat.
The colonel wore to-night the lower-button style with the white tie.
It was indeed the adjustment of this necessary article which had
consumed the five minutes passed in his dressing-room, slightly
lengthened by the time necessary to trim his cuffs--a little nicety
which he rarely overlooked and which it mortified him to forget.
Public-domain text, read in full here on John Shaqi.
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