Colonel Quaritch, V.C.: A Tale of Country LifeHaggard, H. Rider (Henry Rider)
General
Colonel Quaritch, V.C.: A Tale of Country Life
Haggard, H. Rider (Henry Rider)
Country life -- Fiction; Pastoral fiction
As for his infatuation there was literally no limit to it. It broke out
in all sorts of ways, and for miles round was a matter of public
notoriety and gossip. Over the mantelpiece in his sitting-room was a
fresh example of it. By one means and another he had obtained several
photographs of Ida, notably one of her in a court dress which she had
worn two or three years before, when her brother James had insisted
upon her being presented. These photographs he caused to be enlarged
and then, at the cost of 500 pounds, commissioned a well-known artist
to paint from them a full-length life-size portrait of Ida in her court
dress. This order had been executed, and the portrait, which although
the colouring was not entirely satisfactory was still an effective
likeness and a fine piece of work, now hung in a splendid frame over
his mantelpiece.
There, on the afternoon in question, he sat before the fire, his eyes
fixed upon the portrait, of which the outline was beginning to grow dim
in the waning December light, when the servant girl came in and
announced that a lady wished to speak to him. He asked what her name
was, and the girl said that she did not know, because she had her veil
down and was wrapped up in a big cloak.
In due course the lady was shown up. He had relapsed into his reverie,
for nothing seemed to interest him much now unless it had to do with
Ida—and he knew that the lady could not be Ida, because the girl said
that she was short. As it happened, he sat with his right ear, in which
he was deaf, towards the door, so that between his infirmity and his
dreams he never heard Belle—for it was she—enter the room.
For a minute or more she stood looking at him as he sat with his eyes
fixed upon the picture, and while she looked an expression of pity
stole across her sweet pale face.
“I wonder what curse there is laid upon us that we should be always
doomed to seek what we cannot find?” she said aloud.
He heard her now, and looking up saw her standing in the glow and
flicker of the firelight, which played upon her white face and
black-draped form. He started violently; as he did so she loosed the
heavy cloak and hood that she wore and it fell behind her. But where
was the lovely rounded form, and where the clustering golden curls?
Gone, and in their place a coarse robe of blue serge, on which hung a
crucifix, and the white hood of the nun.
He sprang from his chair with an exclamation, not knowing if he dreamed
or if he really saw the woman who stood there like a ghost in the
firelight.
“Forgive me, Edward,” she said presently, in her sweet low voice. “I
daresay that this all looks theatrical enough—but I have put on this
dress for two reasons: firstly, because I must leave this town in an
hour’s time and wish to do so unknown; and secondly, to show that you
need not fear that I have come to be troublesome. Will you light the
candles?”
Public-domain text, read in full here on John Shaqi.
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